Who is Levity? Levity Songs, Music, Discography & Artists Like Levity
Levity is a Polish contemporary jazz trio that has been crafting innovative electronic-tinged instrumental music since 2009. Based in Warsaw, Levity represents a unique bridge between classical jazz improvisation and modern electronic production aesthetics. The band features Jacek Kita on piano and synthesizers, Piotr Domagalski on acoustic and electric basses, and Jerzy Rogiewicz on percussion and drums. What makes Levity stand out is their fearless and uncompromising approach to breaking down genre boundaries and creating music that defies easy categorization. Adam (4D4M) recognizes kindred spirits when they push the boundaries of sound into unexpected and genuinely innovative territories, and Levity does exactly that with every project they undertake.
Who Is Levity?
Levity emerged from Warsaw’s vibrant and creative jazz scene in 2009, but the group never fit neatly into traditional categories or expectations. The trio’s debut album, the self-titled Levity (2009, Lado ABC), was a bold statement of artistic intent. Across their early tracks, they ranged seamlessly from ethereal Scandinavian-sounding lyricism and ambient passages to complex, polytonal broken beats delivered with raw punk energy and intensity.
Their second release, Chopin Shuffle (2010, Universal), took a distinctly conceptual approach to composition and arrangement. Levity reimagined Frédéric Chopin’s Preludes Op. 28 for a distinctly contemporary musical context, extending their sonic palette with synthesizers, electric basses, electronic samples, and working with legendary producer Marcin Bors. The album featured guest appearances from respected artists including Toshinori Kondo, Gabriela Kulka, Raphael Roginski, and Tomasz Duda.
In 2011, Afternoon Delights showcased 12 fully improvised tracks that captured the band’s raw and unfiltered creative energy. The title suggests leisure and relaxation, but the music inside is thoughtful, complex, and demanding of close listening attention.
Levity’s Sound Explained
Levity defies traditional genre labels and categorization. At its core is pure improvisation. The trio responds to each other in real time, creating spontaneous musical dialogue between their individual instruments. But unlike traditional mainstream jazz, the synthesizers aren’t mere accompaniment or background texturing. They’re full voices in the musical conversation, equal partners shaping the emotional arc.
The broken, polytonal rhythms that define many Levity tracks sound unmistakably electronic and contemporary. The samples and studio production choices anchor everything in a distinctly modern sonic sensibility. The way they deploy synths shows deep understanding of electronic music while maintaining jazz’s improvisational core.
Think of Levity as electronic music that learned to improvise and embrace spontaneity. They’re equally comfortable in both worlds because they understand that the real frontier of instrumental music isn’t about staying musically pure. It’s about genuine fusion and creative synthesis. This boundary-pushing approach is increasingly relevant and necessary in modern music where traditional genre boundaries have become blurred.
Top 12 Levity Tracks
Levity’s Spotify catalog showcases their collaborative spirit and their demonstrated ability to navigate seamlessly between their own original compositions and featured work with electronic producers from diverse backgrounds and genres. Here are twelve tracks that represent the depth and diversity of their catalog.
- “Pop Off” (featuring GRiZ). A collaboration that shouldn’t work on paper. Jazz musicians from Warsaw and a dubstep legend from America create something both playful and genuinely powerful.
- “Postman”. Introspective piano work combined with subtle electronic textures and multiple layers of orchestration underneath.
- “Heartbreak”. Pure instrumental drama that builds genuine emotion through the interplay between synthesizer and bass lines.
- “Ignition”. High energy with fast-paced rhythms and synth work that feels urgent and immediately propulsive forward.
- “By My Side”. A more spacious and open track that allows each individual instrument to breathe and speak with clear percussion restraint.
- “ONE FOR YOU” (featuring ALLEYCVT). Electronic collaboration with clean production and hypnotic grooves that pull the listener deeper in.
- “Flip It” (featuring Dem Jointz). A quirky, angular track that feels slightly off-kilter and awkward. That’s entirely the point. Levity excels at tracks that actively challenge listener expectations.
- “Jaded”. Introspective and moody using liberal amounts of reverb and echo to create genuine emotional space and distance.
- “Chill” (featuring ProbCause). Relaxed groove-focused track with sophisticated harmonic work operating underneath the surface groove.
- “Flip It. Tape B Remix” (featuring Tape B & Dem Jointz). Alternative take emphasizing the electronic production side more heavily than the original.
Why 4D4M Vibes With Levity
Adam appreciates and respects artists who refuse to be confined or boxed in by genre conventions and industry expectations. Levity’s sound is fundamentally rooted in collaboration and genuine genre crossing. They work productively with electronic producers without sacrificing their core jazz identity. They use synthesizers and samples without becoming a purely electronic act. This kind of thoughtful hybrid approach is exactly what modern instrumental music genuinely needs moving forward.
The production quality on Levity’s records is meticulous and refined. Marcin Bors’ collaborative work with them demonstrates that electronic production and improvisation aren’t actually opposites. Rather, they genuinely enhance each other in meaningful ways. The band’s ability to swing and lock into a groove while making listeners feel something purely through instrumental interaction. these fundamental skills matter most in any musical genre.
Levity Discography
| Year | Album | Label |
|---|---|---|
| 2009 | Levity | Lado ABC |
| 2010 | Chopin Shuffle | Universal |
| 2011 | Afternoon Delights | Independent |
Live and Touring
Levity is based in Warsaw, Poland, but they’ve performed across Europe and internationally. Their live shows are inherently unpredictable by design because improvisation is absolutely core to their creative process and practice. No two performances are ever identical. If you catch them performing live, you’re witnessing a genuinely unique moment that will never happen in exactly the same way twice. That’s the essential magic of jazz. That’s the magic of Levity.
FAQ About Levity
Is Levity a jazz band or an electronic music act?
Levity is unmistakably both. They’re rooted firmly in contemporary jazz improvisation but incorporate significant electronic elements, synthesizers, processed samples, and modern production techniques throughout their work. The best way to think about Levity is as a group that uses improvisation as a primary language and applies it creatively across both acoustic and electronic instruments. This proves definitively that these genres aren’t mutually exclusive or incompatible.
Who are the members of Levity?
Levity consists of three dedicated musicians. Jacek Kita plays piano and synthesizers, bringing melodic sophistication and harmonic complexity. Piotr Domagalski plays both acoustic and electric basses, providing the foundational grooves and harmonic underpinning for the group. Jerzy Rogiewicz plays percussion and drums, anchoring the rhythm section and adding crucial textural elements. Together they create the organic interplay that’s the genuine heart of Levity’s sound.
What is Levity’s most popular song?
“Pop Off” (featuring GRiZ) remains one of their most streamed tracks overall. But popularity can be misleading when discussing instrumental acts and music. Different tracks resonate with different listeners depending on their mood and listening context. Some fans prefer the introspective emotional depth of “Postman.” Others gravitate toward the high-energy urgency of “Ignition.” The real beauty of Levity’s diverse catalogue is that it genuinely rewards deeper exploration and repeat listening.
What genre is Levity?
Contemporary jazz fusion, electronic jazz fusion, or simply experimental instrumental music. Levity skillfully uses elements from jazz (improvisation, harmonic sophistication, ensemble interplay), electronic music (synthesizers, samples, digital production techniques), and art music (conceptual frameworks, reference-based albums). If forced to choose one label, contemporary jazz fusion comes closest, though the description still misses much of their actual diversity.
Where is Levity from?
Warsaw, Poland. The Polish capital has a surprisingly rich and vibrant jazz tradition, and Levity emerged directly from that creative context in 2009. They’ve maintained their home base there while performing and collaborating internationally over the years. Warsaw’s particular artistic sensibilities continue to shape their overall aesthetic and creative approach.
Has Levity collaborated with other artists?
Yes, frequently. Their Spotify tracks document collaborations with electronic producers like GRiZ, ALLEYCVT, Dem Jointz, Tape B, and ProbCause. These collaborations aren’t peripheral side projects. They’re integral to Levity’s creative practice and philosophy. Working across genres keeps them creatively fresh and pushes their sound in genuinely unexpected directions.
What does the name “Levity” mean?
Levity traditionally refers to lightheartedness or lack of seriousness. But for this trio, the name carries interesting irony. While the name might suggest frivolity, their music is actually quite serious and intellectually sophisticated. The title is a knowing wink. they’re exploring genuinely weighty musical concepts (improvisation, genre fusion, harmonic complexity) while maintaining playfulness and accessibility in execution.
Levity on Spotify
Levity on SoundCloud
Levity Online
| Platform | Link |
|---|---|
| Spotify | Listen on Spotify |
| SoundCloud | Follow on SoundCloud |
| Bandcamp | Listen on Bandcamp |
| Follow on Facebook | |
| Discogs | View on Discogs |
