Big Chocolate: Biography, Discography and More | EDM Encyclopedia

Introduction

Big Chocolate is an American electronic music producer recognized for contributions to the dubstep genre. Active since 2012, the artist has built a catalog rooted in heavy bass music, releasing five full-length albums across a six-year recording period. The project emerged during a productive era for American dubstep, adding a distinct voice to an expanding electronic music landscape.

Based in the United States, Big Chocolate adopted a moniker that contrasts sharply with the aggressive, bass-driven output the project delivers. That juxtaposition between a lighthearted name and punishing production has become a defining trait of the artist’s identity. Where many producers in the space lean into dark or menacing branding, Big Chocolate’s approach favors irony and irreverence.

The artist’s recording career spans from 2012 to 2018, with consistent output across those years. Five albums in six years points to a producer who works with discipline and regularity, avoiding the long silences that often characterize electronic music careers. Big Chocolate has also shown a clear preference for the album format, prioritizing full-length statements over a single-driven release strategy common in modern dance music.

Genre and Style

Big Chocolate operates squarely within dubstep, producing tracks built around heavy sub-bass, synthetic textures, and rhythmic syncopation. The artist’s take on the genre aligns with the American bass music tradition: dense low-end, sharp percussion, and an emphasis on physical impact over subtlety.

The dubstep Sound

What separates Big Chocolate from lesser producers in the space is attention to arrangement. Tracks develop with intention, building tension before releasing into drops that feel earned rather than obligatory. This structural awareness gives the music a sense of pacing that rewards full listens rather than quick skips.

Sound design plays a central role in the project’s aesthetic. Bass patches carry both mass and tonal character, avoiding the flat, one-dimensional quality that plagues much of the genre. Percussion hits with precision, anchoring the low-end while driving momentum forward. Melodic elements surface throughout the catalog, providing contrast and compositional depth without softening the overall impact.

The producer’s style evolved noticeably between 2012 and 2018. Earlier releases lean into raw heaviness, while later albums demonstrate expanded sonic range and tighter production technique. That progression is traceable across the discography without requiring guesswork.

Key Releases

Big Chocolate’s debut album, Red Headed Locc, arrived in 2012 and established the project’s foundation. The release introduced the producer’s bass-heavy aesthetic and set expectations for what would follow: weight, aggression, and deliberate arrangement choices.

• Red Headed Locc
• RIP Small Face
• Midways
• Beauty Of The Bird
• Death Before Dubstep

Discography Highlights

A three-year gap separated the debut from the second album. RIP Small Face dropped in 2015, marking a return to recording after the longest hiatus in the artist’s catalog. The album demonstrated continued refinement of the producer’s core sound.

2016 stands as the most productive year in Big Chocolate’s career. Two full-length albums, Midways and Beauty Of The Bird, both released within that twelve-month window. The dual output either reflects a backlog of completed material or a particularly intense creative period. Either way, that year doubled the project’s available catalog.

Death Before Dubstep, released in 2018, remains the most recent album in Big Chocolate’s discography. The title carries obvious irony from a producer whose career centers on the genre, suggesting self-awareness about the artist’s relationship with dubstep as both a creative space and a cultural label. No further releases have been documented since.

Famous Tracks

Big Chocolate released five albums between 2012 and 2018, each contributing to his identity within the American dubstep scene. His debut full-length, Red Headed Locc (2012), established his presence as a solo electronic producer operating in the bass music space.

Three years passed before his sophomore effort, RIP Small Face (2015). The commemorative title format implies a tribute or memorial, though the specific reference remains personal to the artist. This release arrived during a period when dubstep’s mainstream popularity had shifted, with many early producers either evolving their sound or exiting the genre entirely.

2016 proved to be his most productive year. Midways and Beauty Of The Bird both emerged within this twelve-month span. Releasing two full albums in quick succession suggests either a backlog of completed material or an intense creative burst. The title Beauty Of The Bird stands apart from typical electronic music naming conventions, which often favor aggressive or technical terminology.

His catalog currently ends with Death Before dubstep (2018). The title functions as both genre acknowledgment and potential satire, positioning the artist in dialogue with the scene that shaped his career. This self-referential approach indicates awareness of genre politics and his place within them.

Live Performances

Big Chocolate operates as a performing electronic artist within the dubstep circuit. His live format follows the producer-DJ model common to bass music, where stage performance centers on mixing and track selection rather than live instrumentation. The setup involves laptops, MIDI controllers, and CDJs connected to venue sound systems.

Notable Shows

The venues for this type of performance range from dedicated electronic music clubs to festival stages. Sound system quality becomes paramount, as dubstep festivals relies on sub-bass frequencies that standard PA systems cannot reproduce accurately. Clubs and festivals specializing in bass music invest in equipment capable of handling these low-end demands, often supplementing standard setups with additional subwoofers.

During Big Chocolate’s active release period from 2012 to 2018, the electronic music touring landscape shifted significantly. Streaming platforms and social media created alternative paths to building live audiences. EDM artists could book tours based on online engagement metrics rather than traditional industry gatekeepers like radio play and print press coverage.

Live sets in the dubstep space often diverge from studio recordings. Producers incorporate unreleased material, remixes, and edits crafted specifically for performance contexts. Sets can range from 45-minute festival slots to two-hour club performances, each demanding different approaches to pacing and energy management.

The physical experience of dubstep performances centers on bass vibration. At proper volume, sub-bass frequencies create physical sensations in the chest and body. This tactile element distinguishes live electronic performance from recorded listening, making sound system quality a crucial factor in audience experience.

Why They Matter

Big Chocolate’s discography documents a specific strand of American dubstep during its post-mainstream phase. His debut arrived after the genre’s initial commercial peak, suggesting a commitment to the sound beyond trend-.

Impact on dubstep

The album titles across his career reveal an artist comfortable with humor and self-reference. His catalog employs regional slang, commemorative language, and direct genre commentary. This naming approach indicates a producer who views his work through a critical lens rather than simply scene conventions.

Releasing two full albums in a single year represents substantial creative output. Many electronic EDM producers release primarily through singles and EPs, making five album-length projects across six years a notable commitment to the format. Album releases require cohesive artistic statements, while singles allow for more scattered output. Big Chocolate’s preference for albums suggests deliberate curation of his material.

His career arc parallels broader shifts in American electronic music. The genre moved from festival mainstages back toward underground venues during this period. Artists who continued releasing dubstep through 2018 demonstrated dedication to the form even as audience attention fragmented across newer bass music styles. His consistent output during these years positions him as part of the genre’s core constituency rather than its peripheral adopters.

The 2018 release, with its direct genre reference in the title, functions as a capstone statement. By naming an album after the genre itself, Big Chocolate creates a deliberate endpoint or transition point in his discography. Whether this marks a permanent conclusion or simply the most recent entry remains to be seen.

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