Cazzette: Biography, Discography and More | EDM Encyclopedia

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Introduction

Cazzette is a Swedish electronic dance music duo, founded in 2011 by musicians Alexander Björklund and Sebastian Furrer. Active from 2011 to the present, the pair emerged during a period when Scandinavian producers were gaining increased visibility in the global club music scene. Based in Sweden, Björklund and Furrer built their project around a shared interest in high-energy electronic production, carving out a space within the progressive house landscape.

The duo’s first release arrived in 2011, aligning with their founding year. Over the course of their career, they have issued four full-length albums and four extended plays, with their most recent confirmed release dating to 2018. Their catalog spans a period of significant shifts in electronic dance music, from the festival-oriented boom of the early 2010s to the more streamlined, streaming-driven approaches that followed.

Björklund and Furrer have maintained a focus on studio production rather than building their identity around live vocal performances or traditional band instrumentation. Their work relies on synthesized textures, rhythmic drops, and structured builds that reflect their background in DJ-oriented performance. As a duo, they share production duties, though specific role divisions between the two members have not been widely documented.

Cazzette’s output has appeared on streaming platforms and digital stores, reflecting the industry’s broader move away from physical media during the years they have been active. Their releases include both standalone projects and sessions created specifically for platforms like Spotify, indicating an adaptability to changing distribution models in the music industry.

Genre and Style

Cazzette operates primarily within progressive house, a subgenre of electronic dance music characterized by extended builds, layered synthesizer arrangements, and rhythmic shifts that unfold over longer track structures. Their approach to the genre emphasizes crisp percussion, prominent basslines, and melodic hooks designed for both club play and home listening.

The progressive house Sound

The duo’s production style leans into the tension-and-release model common in progressive house: tracks often begin with restrained, atmospheric elements before introducing more driving rhythmic components. This structural approach allows their work to function in DJ sets, where seamless transitions between tracks are essential, while also standing on its own as recorded material.

Within their catalog, Cazzette has explored variations in tempo and intensity. Some releases favor harder, more aggressive drops with distorted synth leads, while others adopt a smoother, more melodic direction. This range suggests a refusal to remain confined to a single tempo bracket or sonic palette, even as the core vocabulary of progressive house remains present throughout their work.

Their Swedish background places them within a broader tradition of Scandinavian electronic music production, which has historically favored clean mixes, polished sound design, and a pop sensibility applied to club formats. Cazzette’s material reflects these tendencies, with production that prioritizes clarity and balance over raw grit or lo-fi aesthetics. The duo has also shown a willingness to engage with platform-specific formats, indicating an awareness of how streaming services have altered listening habits and distribution strategies.

Key Releases

Cazzette’s discography spans from 2011 to 2018 and includes four albums and four EPs.

  • Strictly CAZZETTE
  • Eject
  • Desserts: spotify Sessions
  • Ante Mono
  • Eject, pt. I

Discography Highlights

Albums:

Strictly CAZZETTE arrived in 2011, marking the duo’s debut full-length in the same year they formed. It established their presence in the electronic scene with a collection rooted in club-oriented production.

Eject followed in 2014, representing a significant release in their catalog. The album expanded on the sonic foundations laid by their earlier EPs and showcased a more developed approach to progressive house arrangements.

Desserts: Spotify Sessions was released in 2015 as a platform-specific project. This release demonstrated the duo’s engagement with streaming-era distribution, offering material tailored to Spotify’s audience.

Ante Mono appeared in 2018, their most recent confirmed album to date. It stands as the latest entry in their full-length catalog, arriving three years after their previous album.

EPs:

Eject, pt. I and Eject, Part II were both released in 2012, serving as precursors to the 2014 album of the same name. These two EPs introduced material that would later be associated with the full-length project, released in two stages over the course of the year.

Desserts came in 2015, existing alongside the Spotify Sessions album as a separate extended play. The relationship between the EP and the streaming sessions project suggests parallel release strategies operating simultaneously during that period.

Time was issued in 2017, arriving between the 2015 Desserts releases and the 2018 Ante Mono album. It represents one of the duo’s later confirmed outputs and bridges the gap between their mid-decade and late-decade material.

Famous Tracks

Cazzette, the Swedish electronic dance music duo formed by Alexander Björklund and Sebastian Furrer in 2011, built their discography through a series of strategic releases. Their debut compilation, Strictly CAZZETTE, arrived in 2011, introducing their bass-heavy take on progressive house to audiences.

The duo’s early momentum centered on the Eject project. They released Eject, pt. I in 2012, followed by Eject, Part II that same year. These EPs established the sonic blueprint: sharp synth work, rumbling low-end, and vocal collaborations designed for both festival stages and club soundystems. The full-length Eject album followed in 2014, compiling and expanding on those earlier EP releases into a cohesive statement.

In 2015, Cazzette shifted direction with the Desserts EP and its companion release, Desserts: Spotify Sessions (2015). The Spotify Sessions recording captured reworked versions in a live-session format, demonstrating the duo’s ability to translate their studio production into stripped-down performances.

The Time EP arrived in 2017, showcasing further evolution in their sound design and arrangement approaches. Their most recent album, Ante Mono (2018), marked a departure from earlier bass-driven progressions into more experimental electronic territory, with tighter arrangements and a colder, more polished aesthetic.

Live Performances

As a duo, Björklund and Furrer brought distinct energy to their live sets. Rather than simply pressing play on pre-produced tracks, their performances relied on layered mixing, on-the-fly editing, and custom edits designed to separate their festival sets from studio recordings.

Notable Shows

Their Swedish background placed them within a lineage of electronic acts emerging from the Nordic region during the early 2010s progressive house surge. This geographic and cultural context influenced their approach to live performance: a preference for long, building sets over quick-hit mixes, and an emphasis on tension and release structures suited to extended club nights.

The duo’s transition from club venues to larger festival stages required adaptation. Their early Eject material, built around heavy bass drops and vocal hooks, translated well to high-energy outdoor sets. As their sound evolved through the Desserts era and into Time and Ante Mono, their performances shifted accordingly, incorporating deeper mixing and more nuanced transitions suited to varied venue sizes and crowd expectations.

Why They Matter

Cazzette represents a specific intersection in electronic music history: the moment when progressive house absorbed heavier bass influences during the early 2010s. Their Eject releases sat at the crossroads of melodic progression and aggressive drops, a combination that defined a brief but significant period in dance music’s mainstream expansion.

Impact on progressive house

Their willingness to restructure their approach matters. The jump from the bass-forward Eject era to the restrained Desserts sessions in 2015 showed range. By the time Ante Mono arrived in 2018, the duo had moved beyond the sounds that initially defined them, prioritizing texture and atmosphere over predictable festival formulas.

Their Spotify Sessions release also deserves attention. At a time when streaming platforms were reshaping how EDM artists connected with audiences, Cazzette used the format to present reimagined versions rather than straightforward recordings, treating the session as a creative tool rather than a promotional afterthought.

Björklund and Furrer’s trajectory from their 2011 formation through their 2018 album demonstrates a commitment to moving forward rather than repeating successful formulas. Their catalog documents a period of rapid change in electronic music, captured by two producers willing to evolve alongside it.

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