Julio Bashmore: Biography, Discography and More | EDM Encyclopedia

Introduction

Mathew Stephen Walker, known professionally as Julio Bashmore, is an English house music producer and DJ from Great Britain. Active since 2009, Walker has built a focused catalog that bridges British bass music traditions with club-oriented house production.

Releasing music from 2009 through 2017, Walker maintains a lean but impactful discography: two albums, four EPs, and two singles. Much of his work has come through his own Broadwalk Records imprint, giving him creative control over his output. Rather than flooding the market, Bashmore has opted for measured, deliberate releases, allowing each record to stand on its own merits within the UK electronic landscape.

Genre and Style

Bashmore’s production sits where house music meets UK bass culture. His tracks lean heavily on swung rhythms and syncopated drum programming that recall UK garage, yet they retain the steady four-on-the-floor backbone essential to house. This hybrid approach gives his music a loose, fluid feel without losing dancefloor momentum.

The bass music Sound

Low-end plays a central role in Walker’s sound design. Basslines in his productions carry melodic weight while anchoring the groove, often treated with filtering and modulation that keeps them evolving across a track’s duration. Above the rhythm section, he layers clipped vocal samples, synthesized pads, and melodic motifs that give his work an accessible quality without drifting into pop territory.

His arranging choices favor gradual tension and release over dramatic drops. Tracks unfold through subtle shifts in texture and dynamics, rewarding sustained listening rather than demanding immediate payoffs. This restraint sets his work apart from more bombastic bass music, positioning it closer to the hypnotic, loop-driven tradition of deep house and techno while retaining a distinctly British roughness around the edges.

Key Releases

Albums: Walker issued two full-length records. Broadwalk and Friends dropped in 2014, assembling a range of vocalists and collaborators across its tracklist. Knockin’ Boots followed in 2015, further refining his blend of house grooves and bass-heavy production with a sharper focus on song structure.

• Albums:
• Broadwalk and Friends
• Knockin’ Boots
• EPs:
• Julio Bashmore EP

Discography Highlights

EPs: His debut extended play, the self-titled Julio Bashmore EP, landed in 2009 and introduced his sound to UK dance audiences. Two EPs arrived in 2011: Everyone Needs a Theme Tune and Riff Wrath, both expanding on the punchy, melodic house style he established. His most recent confirmed release, Conch 001, appeared in 2017.

Singles: Walker released two singles in 2010. Batak Groove showcased his knack for weaving percussive loops into dancefloor-ready arrangements. Chazm / Footsteppin’ offered a double A-side pairing that highlighted different facets of his production: tighter, groove-led house on one side and more spacious, bass-driven material on the other.

Famous Tracks

Julio Bashmore’s recorded output began with his self-titled EP in 2009, establishing the production approach that would define his career within the British electronic landscape. The Julio Bashmore EP introduced a producer interested in the intersection of house music and bass-heavy sonics, setting expectations for the catalogue to follow.

His 2010 output expanded this foundation with two single releases. Batak Groove demonstrated his knack for percussive arrangements and rhythmic complexity, while the double-sided Chazm / Footsteppin’ offered complementary new EDM tracks that worked independently and as a pairing.

The year brought two EPs in quick succession: Everyone Needs a Theme Tune and Riff Wrath, both arriving in 2011. These releases documented a producer refining his craft, exploring different facets of his sound while maintaining a consistent aesthetic vision.

Walker’s transition to album-length projects began with Broadwalk and Friends in 2014. The record collected productions that reflected his accumulated studio experience and collaborative relationships. A second album, Knockin’ Boots, followed in 2015, arriving just twelve months later and demonstrating continued productivity at the long-player format.

Together, these releases trace a clear arc: from the introductory statements of the late 2000s through the prolific early 2010s and into the more expansive album projects that followed. Each entry in the catalogue builds on its predecessors while maintaining the sonic characteristics that distinguish his work from his contemporaries in the british house scene.

Live Performances

Mathew Stephen Walker operates as both a producer and DJ, dual roles that inform each other throughout his work. The tracks he crafts in the studio translate directly to his DJ sets, designed with club sound systems and dancefloor dynamics in mind.

Notable Shows

The productions spanning his catalogue share an emphasis on bass frequencies and rhythmic structures suited to sustained listening in live contexts. This consistency suggests a producer who understands how his records function when played alongside other EDM artists‘ material in a club setting.

Walker’s establishment of the Broadwalk label provided him with a platform for both his own releases and broader curation. The 2017 EP Conch 001 arrived on this imprint, marking his most recent confirmed release and indicating continued involvement in electronic music as both artist and label operator.

The eight-year span between his first EP in 2009 and this 2017 release covers a period of significant change in how electronic music reaches audiences. Throughout this shift, Walker maintained a focus on the physical reality of club sound systems, producing music that prioritizes impact in shared spaces.

His releases on Broadwalk position him within a lineage of artist-operated labels, where production and curation feed into each other. For a DJ, running a label offers control over how and when new material enters the market, allowing for strategic release timing and complete artistic oversight.

Why They Matter

Julio Bashmore represents a specific strand of British house music that emerged in the late 2000s, one that embraced bass frequencies as a central element alongside traditional house structures. His work sits at the intersection of multiple electronic music traditions, drawing from the UK’s bass music heritage while engaging with house music’s rhythmic frameworks.

Impact on bass music

The trajectory from his 2009 debut through to 2017 documents a producer developing his voice within this space. Unlike artists who peak early or flame out quickly, Walker maintained consistent creative output across nearly a decade. This longevity speaks to a sustainable artistic practice rather than brief visibility driven by trend cycles.

His decision to launch the Broadwalk label reflects an approach that prioritizes independence and creative control. Rather than relying solely on external imprints, Walker created infrastructure to support his own releases and potentially those of affiliated artists. This move mirrors the DIY ethos present in British electronic music since its earliest days.

The catalogue itself, spanning EPs, singles, and albums, demonstrates fluency across formats. Walker has shown equal facility with the concise statement of a single track and the expanded canvas of a full-length album. His productions prioritize physical impact through bass weight and rhythmic precision, qualities that connect his work to both the dancefloor and the broader tradition of club-oriented electronic music.

In an era where electronic music for djs subgenres fracture and multiply rapidly, Walker’s output maintains a clear identity. His productions are recognizable without relying on gimmicks or trend-chasing, built instead on a consistent set of sonic priorities: low-end emphasis, rhythmic detail, and arrangements that serve the dancefloor.

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