Big Chocolate: Biography, Discography and More | EDM Encyclopedia
Introduction
Operating within the United States electronic music scene, Big Chocolate functions as a dedicated dubstep producer. The project emerged with its first official release at the beginning of the decade, establishing a timeline of studio activity that remains technically active to the present day. While the artist continues to operate, the bulk of the confirmed discography spans a concentrated period of documented output. This timeframe captures the most active era of studio production for the American producer, marking a distinct era for the project.
The artist’s work relies heavily on electronic production techniques specific to the bass music spectrum. Based in the , Big Chocolate contributes to a domestic dubstep scene that grew significantly during the early portion of the decade. The producer’s identity and branding center strictly on this musical output. It is important to differentiate this stage name from the unrelated corporate business term used to describe multinational chocolate food producers, akin to terms like “Big Oil,” “Big Pharma,” and “Big Tobacco.” The moniker stands strictly as a musical alias representing a specific catalog of bass driven electronic music, completely separate from corporate food production.
During the peak years of studio production, the artist released a distinct collection of full length albums. This catalog showcases a clear progression from the foundational debut through a subsequent release nearly a decade later. The consistent delivery of these projects demonstrates a focused approach to long form electronic music releases, providing a structured timeline of the artist’s evolving sound. By focusing exclusively on larger projects, Big Chocolate established a substantial body of work within the electronic genre, utilizing the extended format to express complex musical ideas. The commitment to this specific format highlights a deliberate choice in how the producer presents new material to the public, solidifying a unique footprint in the American electronic music landscape.
Genre and Style
Big Chocolate approaches the dubstep genre with a distinct focus on structured, album oriented electronic production. The producer channels creative efforts into comprehensive projects, utilizing the expanded runtime to construct a cohesive listening experience. By manipulating heavy basslines, syncopated rhythms, and aggressive synthesizer sounds across these larger works, the artist builds a consistent sonic atmosphere. The choice to release only albums indicates a commitment to world building within the confines of the genre, favoring deep dives into sound design over isolated track releases.
The dubstep Sound
The naming conventions of the artist’s projects offer specific insight into the stylistic attitude embedded within the music. Titles often reflect a blunt, straightforward aesthetic, grounding the complex electronic production in accessible, sometimes aggressive concepts. The final project directly references the genre itself in its title, highlighting a conscious awareness of the producer’s musical foundation and perhaps a degree of self aware humor regarding the intense nature of the music. This directness translates into the musical arrangements, which prioritize immediate sonic impact and clear structural progression from track to track.
Operating within the dubstep scene, Big Chocolate navigates the space between aggressive electronic sounds and structured musicality. The artist’s catalog reflects the heavier end of the electronic spectrum, characterized by intense frequencies in the low end and sharp percussive elements. By maintaining a consistent output of albums over several years, the producer refined a specific niche within the genre. The work avoids cross genre experimentation, opting instead to explore the depths of purely dubstep oriented sound design. This dedication to a specific electronic style defines the artist’s musical identity and provides a consistent sonic thread throughout the discography, ensuring that the core elements of the genre remain front and center across all documented studio sessions. This focused methodology allows the producer to maintain a recognizable sound throughout an evolving musical landscape.
Key Releases
The confirmed discography for Big Chocolate consists entirely of five studio albums released between 2012 and the present. While the artist remains active today, the latest confirmed studio output arrived in 2018. The artist did not release any confirmed EPs or singles during this period, focusing exclusively on these longer projects. This specific output spans six years, documenting the progression of an American dubstep producer through distinct phases of album creation. The chronological structure of these releases provides a clear map of the artist’s studio activity, highlighting periods of intense productivity alongside notable gaps in the release schedule.
- Red Headed Locc
- RIP Small Face
- Midways
- Beauty Of The Bird
- Death Before dubstep
Discography Highlights
Red Headed Locc (2012): This project marks the debut release for Big Chocolate. Introducing the artist in 2012, it sets the baseline for the American producer’s entry into the dubstep scene. As the foundational piece of the discography, it establishes the heavy basslines and electronic production techniques that define the subsequent works.
RIP Small Face (2015): Arriving three years after the debut, this album represents a significant gap in the artist’s release schedule. It marks the next confirmed milestone in the catalog. The three year interim suggests a period of development, resulting in a return to full length album production with a renewed focus on the established sound.
Midways (2016): Released in the first half of 2016, this project contributed to a highly productive year for the artist. It expands the existing catalog with another full length exploration of dubstep music, showcasing a return to more frequent studio output and demonstrating a refinement of the artist’s production techniques.
Beauty Of The Bird (2016): Dropping in the same calendar year as the previous album, this release demonstrates a period of intense fl studio activity. The dual album output in 2016 highlights a specific era of high volume work for Big Chocolate, giving listeners two distinct projects within a short timeframe.
Death Before Dubstep (2018): This record serves as the latest confirmed release from Big Chocolate. Concluding the six year run of studio albums, the title offers a direct reference to the genre that defines the artist’s catalog. It remains the most recent documented full length project from the producer, standing as the current endpoint of their musical timeline.
Famous Tracks
Big Chocolate’s discography documents a specific era in American electronic music production. The debut Red Headed Locc (2012) emerged during dubstep’s commercial peak in the United States, when the genre transitioned from underground club scenes to mainstream festival stages. This release positioned Big Chocolate among American producers carving space in a genre initially dominated by UK artists.
A three-year gap separated the debut from RIP Small Face (2015). This interval coincided with significant shifts in electronic music consumption, including streaming platform growth and changing audience preferences within bass music subgenres. The gap itself reflects the pace of production for artists working outside major label infrastructure, where recording schedules often extend beyond annual release cycles.
Big Chocolate returned with concentrated output: Midways and Beauty Of The Bird both arrived in 2016. Two albums within a single calendar year suggest concurrent recording projects or an accelerated production phase the previous release. This pacing allowed the artist to explore different creative directions across two distinct bodies of work released in close succession.
The confirmed catalog concludes with Death Before dubstep (2018). The title functions as a direct statement on genre identity, either rejecting the dubstep label, commenting on its commercial evolution, or asserting creative independence from genre expectations. Across these five releases, Big Chocolate documented the trajectory of an American bass music producer navigating a rapidly changing electronic music landscape.
Live Performances
As an American dubstep producer active throughout the 2010s, Big Chocolate operated within a touring ecosystem built around festivals, club residencies, and support slots for established electronic acts. A confirmed discography of five full-length releases provided substantial material for live DJ sets, reducing reliance on other artists’ productions to fill performance time.
Notable Shows
dubstep artists performance during this era centered on sound system capability. The genre’s emphasis on low frequencies required venues with subwoofer configurations capable of reproducing bass content accurately. Artists working in this space often evaluated performance environments based on technical specifications before constructing set lists. The variety across Big Chocolate’s catalog offered flexibility: some productions suited detailed club environments where subtle frequency work translated clearly, while others matched the high-energy demands of outdoor festival stages.
Live electronic performance in the 2010s increasingly incorporated visual elements, with producers coordinating lighting, video, and stage design alongside audio. Dubstep sets typically emphasized buildups and drops as structural moments, creating audience anticipation through rhythmic tension. Big Chocolate’s catalog provided ample material for these dynamics across extended performances.
A sustained release schedule positioned Big Chocolate within a competitive booking landscape. Electronic music festivals expanded rapidly throughout the decade, creating demand for producers delivering full sets of original material. Artists maintaining regular output remained visible to promoters navigating an increasingly crowded field of electronic performers seeking stage time.
Why They Matter
Big Chocolate represents a specific strand of American dubstep production that persisted through the genre’s commercial rise, peak, and subsequent fragmentation. Rather than abandoning bass music when mainstream attention shifted elsewhere, the continued release schedule demonstrates commitment to the sound regardless of trending popularity. This consistency distinguishes artists who built careers within dubstep from those who treated it as a temporary commercial opportunity.
Impact on dubstep
The catalog serves as documentation of production evolution across a transformative period in electronic dubstep music. Recording technology, distribution methods, and audience consumption habits all shifted dramatically across the release span. Producers maintaining output during this era necessarily adapted their workflows, incorporating new software capabilities, responding to changing platform algorithms, and navigating an industry transitioning from physical media to streaming dominance. Each album captures a snapshot of available production tools and prevailing aesthetic choices within American bass music.
The explicit genre commentary embedded in certain release titles indicates an artist engaged with the cultural politics surrounding dubstep’s commodification. American dubstep faced ongoing criticism from genre purists and international scenes as it gained commercial traction in the United States. The perceived divide between original dubstep sounds and their American interpretations generated extensive debate within electronic music communities. Artists addressing these tensions directly in their work contributed to broader conversations about authenticity, regional identity, and creative ownership. Big Chocolate’s output participates in that discourse, using album titles as positioning statements rather than passive descriptions of content.
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