Who is Brockman & Basti M? Brockman & Basti M Songs, Music, Discography & Artists Like Brockman & Basti M
Brockman & Basti M is a German electronic music duo made up of Matthias Brocke and Bastian Meyer. They have been putting out tracks together since around 2008, building a catalog that spans tech house, progressive house, and deep electronic sounds with a distinctly European edge. 4D4M has recognizes their output for years, drawn in by the duo’s ability to craft tracks that hit hard on a dancefloor without sacrificing groove. If you’re into producers who know how to build energy the right way, Adam thinks Brockman & Basti M belong in your rotation.
Who Is Brockman & Basti M?
Brockman & Basti M is a production duo from Germany, formed in 2008 by Matthias Brocke (Brockman) and Bastian Meyer (Basti M). Both producers had backgrounds in the German electronic music scene before joining forces, and their partnership gave them a clear creative identity that set them apart from solo acts working similar sonic territory.
The duo operates out of Germany, which has always been one of the world’s most serious homes for electronic music. From Berlin’s techno temples to the deep house clubs of Hamburg, the German scene has a reputation for quality and a no-nonsense approach to production. Brockman & Basti M fit right into that tradition. Their music doesn’t waste time with gimmicks. It’s focused, purposeful, and designed for peak-time listening.
Over the years, they’ve released on some of the more respected labels in the European electronic scene, working across tech house, progressive house, and at times touching on more commercial EDM territory when the right collaboration called for it. Their remix work has been just as important as their original productions. Tracks like their remix of Tom Franke and Joachim Deutschland’s “Marie” showed they could take someone else’s material and rebuild it into something that felt entirely their own.
They’ve collaborated with vocalists including Sharon May Linn and Michael Feiner, and they’ve remixed for artists across a range of styles. Their willingness to engage with vocalists gives some of their work an emotional quality that pure instrumental house tracks often miss. At the same time, they’re comfortable stripping things back to pure groove when the moment calls for it.
What makes Brockman & Basti M worth knowing isn’t any single breakthrough moment. It’s the consistency. For well over a decade, they’ve put out quality work that holds up in clubs and on headphones. That kind of staying power doesn’t happen by accident. It comes from a genuine understanding of what makes electronic music connect with people.
Brockman & Basti M’s Sound Explained
The core of what Brockman & Basti M do sits somewhere between progressive house and tech house. That might sound like a narrow lane, but within it, they cover a lot of ground. Their productions tend to feature driving basslines, carefully layered synths, and percussion that locks into a groove without getting mechanical. There’s a warmth to their sound that a lot of German producers share, a sense that the music was built by people who actually dance.
Their remix approach is particularly interesting. When they take on someone else’s track, they usually keep a key melodic or vocal hook and then rebuild the arrangement entirely. The result feels respectful of the original while being thoroughly their own interpretation. The remix of “Marie” is a good example. The original has a clear melody that the duo preserves, but their arrangement transforms it into a deep, elongated dancefloor journey.
On tracks like “Come with Me” (remixed by Alex Schulz) and “Raise Your Hands,” you get a sense of their range. They can go lighter and more melodic when the material calls for it, or tighten things up into something more club-focused. That flexibility has served them well across a career that spans multiple shifts in the European electronic sound.
Their collaborations with vocalists add another dimension. When Sharon May Linn’s voice appears on “What I Feel,” it gives the track an emotional center that the instrumental side of their work sometimes deliberately avoids. It’s a smart balance, knowing when to let the groove do all the talking and when a vocal can elevate the whole thing.
For listeners coming from the EDM world, Brockman & Basti M might sound slightly more restrained than what you’re used to. They’re not chasing drops in the way a lot of American-style big room tracks do. The tension they build is slower, more patient. But when it releases, it’s just as satisfying, maybe more so, because you’ve been working for it.
Top Tracks by Brockman & Basti M
Come with Me (Alex Schulz Remix)
This version of “Come with Me” featuring the Alex Schulz remix treatment is one of the lighter, more melodic entries in their catalog. The arrangement breathes, giving space for the harmonic elements to develop before the groove pulls everything together. It’s a track that works at the opening or middle of a set when you want to build without overwhelming.
Marie (Brockman & Basti M Remix)
The full-length remix of “Marie” by Tom Franke and Joachim Deutschland runs over five and a half minutes, and it uses every second. The duo strips the original down and rebuilds it as a deep progressive house piece with a long, patient arc. The melody is preserved but treated almost like a memory, appearing and disappearing as the groove continues underneath.
Marie (Brockman & Basti M Radio Edit)
The radio edit of “Marie” condenses the full remix into a more immediate listening experience. At just over three minutes, it still manages to capture what makes the full version work. It’s a useful entry point for listeners who want a sense of their style without committing to the extended club version.
What I Feel (House and Sax Remix)
This collaboration with Arone Clein, Rio Dela Duna, and Sharon May Linn adds a sax element that gives the track a more organic feel. The groove is still clearly electronic, but the saxophone cuts through in a way that makes the whole thing feel looser and more alive. Sharon May Linn’s vocals anchor the emotional content.
What I Feel (German Mix)
The German Mix of “What I Feel” takes a different approach, stripping back some of the more ornamental elements and pushing the underlying groove harder. It’s a version that makes more sense in a club context, where the dancefloor needs something with a bit more directness. Still features Sharon May Linn’s voice, but the production surrounds it differently.
The Feeling (feat. Michael Feiner), Brockman & Basti M Remix
This remix of the Dabruck and Klein track featuring Michael Feiner runs well over six minutes, which tells you everything about its intent. It’s built for peak time, patient in its construction but relentless once it gets going. Michael Feiner’s vocal adds a dramatic quality that the duo leans into rather than minimizing.
Raise Your Hands (Farm Animals Remix)
The Farm Animals remix of “Raise Your Hands” shows a different side of the duo’s catalog, one that leans slightly harder and more energetic. The title is essentially a mission statement. It’s a track designed to do exactly what it says, get a room moving and keep it there. Straightforward in the best possible way.
Eniac (Brockman & Basti M’s in the Club Intro Edit)
Named after one of the earliest computers, “Eniac” in the Club Intro Edit has a certain mechanical precision to it that fits the reference. It’s one of their more hypnotic productions, using repetition and subtle variation to build an extended groove. The intro edit format means it’s designed to be mixed into, which gives DJs a lot of flexibility.
Free Your Mind (D.Lectro & Mark Bale Remix)
This remix comes in at nearly seven minutes, making it one of the longest entries in their Spotify catalog. D.Lectro and Mark Bale’s remix treatment pushes things in a more progressive direction, with long builds and careful arrangement. The title’s optimistic energy comes through in the melodic development.
Solid State (feat. Fortunate & Patrice), Brockman & Basti M vs. Stefan Dabruck Edit
This collaboration with Stefan Dabruck features vocals from Fortunate and Patrice, giving it a richness that purely instrumental tracks can’t match. The “vs. edit” framing suggests a meeting of two distinct production styles, and you can hear that tension in the track. It works because neither side completely dominates.
Come with Me (Original Mix)
The original mix of “Come with Me” is the foundation that other versions build from. It’s a solid piece of progressive house with the duo’s characteristic attention to groove and melodic detail. Worth hearing alongside the remix to understand what they chose to preserve and what they transformed.
Raise Your Hands (Original)
The original version of “Raise Your Hands” shows how the track exists before any remix treatment. It’s pure Brockman & Basti M, direct and groove-focused with energy that builds organically. Compare it to the Farm Animals Remix to hear how different hands approach the same raw material.
Free Your Mind (Original Mix)
The original mix of “Free Your Mind” has a lighter touch than the remix, with more space in the arrangement. The melodic components have room to develop without competition, and the groove underneath them has a looser, more organic feel. It’s a track that rewards patient listening.
What I Feel (Club Mix)
The club mix of “What I Feel” is the version built for maximum dancefloor effectiveness. The arrangement is tighter, the groove is pushed harder, and everything non-essential has been cleared out. Sharon May Linn’s vocal is still present but sits deeper in the mix, serving the groove rather than floating above it.
The Feeling (Extended Mix)
An extended version of their work with Dabruck and Klein gives DJs maximum flexibility. Extended mixes like this one are the professional tool, offering more room to mix in and out. The additional time also lets the arrangement breathe more fully, which suits the patient, building style that defines their best productions.
Why 4D4M Vibes With Brockman & Basti M
When 4D4M first got into electronic dance music, the German scene was something that kept coming up in conversations with other producers and DJs who had been in the game for a while. Not always the Berlin techno stuff that gets most of the press, but the deeper, more groove-focused house music that came out of Germany and kept showing up on the kind of compilations that actually held up over time.
Brockman & Basti M fit into that category. They’re not trying to make the next big festival anthem. They’re making music that works on a dancefloor where people actually know what they’re listening to. That distinction matters. There’s a difference between music that gets a crowd moving because it’s loud and drops at the expected moment, and music that gets a crowd moving because it’s actually good. Brockman & Basti M consistently fall into the second category.
Their remix work is what initially pulled 4D4M in. The “Marie” remix in particular has a quality that’s hard to pin down. It’s not doing anything technically surprising. It’s house music, it follows the structures you’d expect. But it has a mood to it, something that makes you want to stay in the room and see where it goes. That’s rarer than it sounds.
As someone working in electronic music production, 4D4M has a lot of respect for producers who can deliver that kind of consistency without chasing trends. The duo has been putting out quality work for over fifteen years, and the aesthetic has stayed coherent. They found a lane and got very good at it rather than constantly reinventing themselves in response to whatever was charting at the moment.
There’s also something worth appreciating about the way they handle collaborations. When they bring in a vocalist like Sharon May Linn or work with producers like Dabruck and Klein, the results don’t feel like committee decisions. The tracks still sound like them. That’s a sign of producers who know their own voice clearly enough to incorporate other elements without losing it.
For anyone building out a knowledge of European house and electronic music, Brockman & Basti M are exactly the kind of act you want to dig into. Not flashy, not trying to be famous, just consistently making music that holds up.
Brockman & Basti M Discography
| Release | Year | Notes |
|---|---|---|
| Come with Me | 2010s | Original production, later remixed by Alex Schulz |
| Raise Your Hands | 2010s | Original production, later given Farm Animals remix |
| Free Your Mind | 2010s | Original production, remixed by D.Lectro & Mark Bale |
| Marie (Remix) | 2010s | Remix of Tom Franke & Joachim Deutschland track |
| What I Feel (feat. Sharon May Linn) | 2010s | Collaboration with Arone Clein, Rio Dela Duna, Sharon May Linn |
| The Feeling (feat. Michael Feiner) Remix | 2010s | Remix of Dabruck & Klein featuring Michael Feiner |
| Solid State Remix | 2010s | Collaboration with Stefan Dabruck, features Fortunate & Patrice |
| Eniac (Club Intro Edit) | 2010s | Club-focused edit designed for DJ sets |
Live & Touring
Brockman & Basti M have performed across European club circuits throughout their career. As a German-based duo working in tech house and progressive house, their live and DJ appearances have primarily been in venues and festivals within the European electronic music scene, where their style finds a natural home.
The German club circuit has historically been one of the most demanding in the world for electronic music producers who also perform live or DJ. Audiences at German electronic events tend to know their music and have less tolerance for performers who coast on name recognition. The fact that Brockman & Basti M have maintained a presence in this environment for over fifteen years says something about how their music translates in a real venue.
European festivals and club nights specializing in house and tech house have been their primary territory. The kind of events where the music is the point, the lighting is serious, and people are there because they want to dance for hours. Their catalog is well-suited to this environment. They have tracks that work as openers, tracks that work at peak time, and tracks that work for the longer, more patient moments in a set.
For producers at their level, the distinction between studio work and live performance often comes down to how well the music translates from speakers in a controlled environment to a club PA at volume. Brockman & Basti M’s production choices, particularly their attention to bassline and low-end energy, suggest producers who have spent time thinking about how their music sounds when it really matters.
FAQ
Who are Brockman & Basti M?
Brockman & Basti M is a German electronic music production duo made up of Matthias Brocke and Bastian Meyer. They formed the partnership around 2008 and have since built a catalog of original productions and remixes in the tech house and progressive house genres. Both producers had established careers in German electronic music before joining forces. They continue to be active in the European electronic music scene, with music available on major streaming platforms including Spotify.
Where are Brockman & Basti M from?
Brockman & Basti M are from Germany. Germany has long been one of the most important countries in the world for electronic music, with a scene that spans everything from Berlin’s renowned techno culture to the more melodic, groove-focused house music that the duo specializes in. Their music reflects that heritage, with the kind of purposeful, quality-focused approach that the German electronic scene is known for producing.
What genre is Brockman & Basti M?
Their music primarily falls into tech house and progressive house, with elements of deep house appearing in some productions. They work within the broader world of electronic dance music, but their sound is more specifically rooted in the European house tradition rather than the American-influenced big room or electro house styles. Their productions tend to be groove-focused, patient in their construction, and designed for serious dancefloors rather than festival main stages.
What are Brockman & Basti M’s most popular tracks?
Based on their Spotify catalog, some of their most listened-to tracks include “Come with Me” (in the Alex Schulz Remix version), their remix of “Marie” by Tom Franke and Joachim Deutschland, and “What I Feel” featuring Sharon May Linn. Their remix catalog is particularly strong, with their ability to reimagine other artists’ material being a key part of what makes them interesting. The “Marie” remix in particular stands out as a piece of work that holds up over repeated listens.
How long has Brockman & Basti M been making music?
The duo has been active since approximately 2008, giving them a career spanning well over fifteen years in the European electronic music scene. That kind of longevity is rare and reflects a genuine dedication to craft rather than chasing trends. Over that time they’ve worked across several sub-genre shifts in house music without losing the core identity that makes their productions recognizable. They remain active producers in the current electronic music territory.
Has Brockman & Basti M remixed other artists?
Yes, remix work is a significant part of what Brockman & Basti M do. Their catalog includes remixes for artists including Tom Franke and Joachim Deutschland (“Marie”), Dabruck and Klein (“The Feeling” featuring Michael Feiner), and collaborative remix projects with other producers. Their approach to remixes typically involves preserving key melodic or vocal elements from the original while rebuilding the arrangement and production to suit their own style and the dancefloor contexts they work in.
Are Brockman & Basti M similar to other German electronic artists?
In some ways yes. They share the German electronic scene’s general preference for quality over gimmickry, and their productions have the kind of focused, purposeful construction that characterizes a lot of serious European house music. However, they sit in a different space from Berlin’s harder techno producers. Their sound is warmer and more melodic, more aligned with the house and progressive house side of German electronic music. Artists like Dabruck and Klein, who they’ve collaborated with, give you a sense of the wider scene they’re part of.
Listen to Brockman & Basti M
Brockman & Basti M Online
| Platform | Link |
|---|---|
| Spotify | Listen on Spotify |
| Facebook Page | |
| Discogs | Discogs Profile |
| Official Website | Official Site |
