Cookie Monsta: Biography, Discography and More | EDM Encyclopedia
Introduction
Cookie Monsta is a British electronic music artist born on May 5, 1989. His discography spans over a decade, mapping a distinct chronological progression from early recordings to later projects. The timeline begins with the 2009 album Wheres My Cookie…? and stretches to the 2022 extended play FreeKout 8. His catalog shows a steady output of full length projects, EPs, and singles between 2009 and 2016, followed by a gap of six years before his 2022 release. The artist’s male British background places him directly within the timeline of the United Kingdom electronic music expansion during the late 2000s and early 2010s.
Genre and Style
The dance Sound
Recordings classify Cookie Monsta under the dance, deathstep, dub, dubstep, and electronic genres. His work frequently juxtaposes the aggressive motifs of deathstep with the rhythmic structures of dance music. This stylistic blend is evident in track titles like Mad Man’s Creation and Death Wobl, which indicate heavy, dark compositions designed for club environments. Conversely, titles such as Swing Break and Time to Party point toward the more conventional, functional elements of his production style. The recurring focus on rhythm is further highlighted by names like Acid Riddim and the Wobble EP, directly referencing the foundational mechanical sounds of dubstep and dance music. The inclusion of Vampire Dub on a 2010 release anchors his work within the broader electronic and dub traditions.
Key Releases
Albums and Extended Plays
The 2009 album Wheres My Cookie…? introduced his thematic approach through five distinct tracks: The Unidentified, The Monsta’s Twitch, Mad Man’s Creation, B.R.O.C.K O.U.T, and Fat Girl Rodeo. The track Fat Girl Rodeo appeared again on the 2010 EP Beats and Pieces, sharing space with Vampire Dub, Funky Junky, and Excuse Me. In 2011, he released the Me Want Cookie EP, featuring the title track alongside Frontline, You Can Do It, and R0807 D06. The 2012 RIOT! EP arrived without listed individual tracks, serving as a bridging project before his second album.
The 2013 album Circus Two included five tracks: I Feel It, Music in Me (Doctor P remix), Swing Break, Acid Riddim, and The Jungle Book. The presence of a Doctor P remix on Circus Two highlights collaborative networking within his specific scene. The 2013 EP Yow Momma heavily focused on single track variations, featuring the original mix, a VIP mix, and a Northern Lights 128 mix of Yow Momma, alongside the track Cave of Gold. The 2016 Wobble EP showcased a darker thematic shift with tracks named Ruff, Death Wobl, High as Hell, and Soundboy. After a gap of six years, his 2022 project, FreeKout 8, included four tracks: Rien a Foutre, Late Night at the Party, Kazenbo, and Youngz.
Singles
Cookie Monsta released four distinct singles between 2010 and 2014. In 2010, he released Ginger Pubes / Blurgh!, continuing his trend of utilizing humorous, slang inspired nomenclature alongside his heavier musical themes. His 2013 output included the dual release Blame It On the Dog / Big Booty Bass and the standalone track Burly Bouncers. In 2014, he issued the single Time to Party, a title that explicitly reflects the functional, celebratory objective of dance music. This period of single releases aligns directly with his most active years of EP production between 2012 and 2016, providing consistent drops between his larger album projects.
Famous Tracks
Early Character Themes
Track titles across this British artist’s catalog frequently lean into his chosen moniker, a pattern established during his 2009 debut. The Unidentified, pulled from the 2009 release Wheres My Cookie…?, introduces a monstrous theme during his foundational years. The 2011 track Me Want Cookie, from the release of the same name, further develops this character-driven branding. By naming tracks directly after his alias, the artist creates a cohesive identity that links his early dub and electronic outputs together.
Collaborative Efforts
The 2013 compilation appearance on Circus Two features Music in Me (Doctor P remix). This specific track placement reveals his collaborative network within the electronic genre. The inclusion of a Doctor P remix indicates a direct interaction with peer producers, showcasing how his original compositions were adapted by fellow UK artists. Other 2013 tracks like Yow Momma and its subsequent VIP mix on the Yow Momma release highlight his practice of reworking his own material within the same calendar year.
Late Era Shifts
A distinct shift in track naming conventions occurs later in his timeline. The 2016 Wobble EP features Death Wobl, a title directly referencing the deathstep classification found in his genre tags. This shows a literal alignment between his track names and his specific musical styles during this period. By 2022, his contribution to FreeKout 8 includes Rien a Foutre, a French title translating to a disregard for convention. This release shows an expansion in his thematic vocabulary late in his career, contrasting sharply with the literal monster themes of 2009.
Why They Matter
The dance Sound
Cookie Monsta holds relevance due to a documented output volume spanning from 2009 to 2022. The factual genre range assigned to this UK artist includes dance, deathstep, dub, dubstep, and electronic. This classification shows a crossing of multiple electronic sub-categories rather than a strict adherence to a single tempo or style.
The timeline of his releases proves consistent activity across a 13-year span. He issued multiple EPs and singles early on, including the 2010 Beats and Pieces release and the Ginger Pubes / Blurgh! single. The year 2013 served as an exceptionally active period, yielding the Circus Two appearances, the Yow Momma EP, the Blame It On the Dog / Big Booty Bass single, and the solo Burly Bouncers track.
His catalog data reveals an artist active in multiple facets of music distribution. He appears on collaborative compilations like FreeKout 8 in 2022, proving his longevity in various electronic music circles. The data shows a discography built on a mix of solo EPs, split singles, remixes, and compilation tracks. The continuous presence of his work across this timeline, without abandoning his core genre tags, provides a clear record of his sustained musical production.
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