Who is Feed Me? Feed Me Songs, Music, Discography & Artists Like Feed Me
If you’re serious about bass music, you already know Feed Me. The UK producer behind intricate, layered tracks in dubstep and electro house stands apart for his willingness to experiment. His collaborations with Kill The Noise, remixes of AWOLNATION, and original tracks showcase technical precision at the highest level. Adam has long appreciated producers who refuse to stay locked in one lane.
4D4M respects artists like Feed Me precisely because they prioritize craft over trends, substance over novelty.
Who Is Feed Me?
Feed Me is the stage name of Jon Gooch, a British electronic producer and DJ who’s built a reputation as one of the most versatile and technically skilled producers in bass music. Since the early 2010s, his work has spanned electro house, dubstep, complextro, progressive house, and drum and bass. That genre-hopping approach isn’t a sign of instability, it’s his signature. It shows an artist confident enough to pursue whatever sounds interesting rather than exploiting one formula.
What makes Feed Me stand out is his attention to sound design. Every track feels meticulously crafted, with layers of synths, bass, and drums working in harmony rather than fighting for dominance. He’s released on major labels including Interscope Records, and his collaborations have brought him into the orbit of some of the biggest names in bass music. Whether remixing established artists or creating originals, Feed Me treats each project with the same level of detail and intention.
Feed Me’s Sound Explained
Feed Me’s music lives at the intersection of multiple genres. His primary territory is dubstep and electro house, but progressive house, complextro, house, and midtempo bass appear throughout his discography. This isn’t accidental genre-blending; it’s intentional. Feed Me uses these influences to create tracks that feel fresh.
In his dubstep work, Feed Me avoids the trap of over-relying on the drop. Instead, he builds atmospheric tension, weaves in melodic elements, and saves his heaviest bass work for moments when it hits hardest. His electro house tracks balance crisp, bright synth work with driving basslines that command attention. The complextro influence adds polyrhythmic percussion and intricate beat structures that reward close listening.
What you’ll notice across all his tracks is production quality. Everything is mixed clearly, with each element sitting in its own space. The kick drum always has room to breathe. The bass is fat but defined. The synths are bright but never harsh. It’s the opposite of the compressed, maximalist approach that dominates modern bass music. Feed Me’s collaborations reveal another layer. When he teams up with other artists, he adapts his approach while maintaining recognizability. This flexibility is rare.
Top 15 Feed Me Tracks
- Sail: Feed Me Remix (with AWOLNATION): This remix transforms the original through heavy bass work and crisp synths. A masterclass in remix thinking.
- Another Level (with Flux Pavilion & Kill The Noise): Three bass music heavyweights on one track. Each contributes distinct elements without stepping on toes. The collaboration feels earned.
- I Do Coke (with Kill The Noise): One of Feed Me’s harder-edged tracks. The bass is aggressive, the drums tight, the energy relentless.
- Love Is All I Got (with Crystal Fighters): A surprising collaboration that works perfectly. Indie-electronic vibes meet Feed Me’s production polish. One of his more accessible cuts.
- One Click Headshot: A solo original displaying his full range. Technical complexity without relying on featured artists or collaborations.
- Rat Trap: A groove-oriented track showing his house music side. Sometimes the best production is production that doesn’t announce itself.
- High Noon: Bouncy electro house with layers of atmosphere. The synth work is particularly fine, bright but controlled, energetic but spacious.
- Feel Love (with Rosie Doonan): A vocal collaboration that avoids overselling the vocals. Feed Me’s production complements the vocalist. Works equally in clubs or on headphones.
- Pantheon II (with Andrew Bayer, Blastoyz, Jason Ross, Kill The Noise, Last Heroes, Seven Lions, STAR SEED, Trivecta, Sarah Herz): An ambitious supergroup track where cohesion is the real achievement with so many collaborators.
- Silhouette: Feed Me Remix (Bad Computer, Skyelle): Another remix that improves the original, adding weight and sophistication while respecting the essence.
- Hollow: A deeper cut that rewards repeat listens. Space is used effectively. Complexity doesn’t require maximum density.
- The Spell: Midtempo, moody, and hypnotic. Shows Feed Me’s ability to work outside high-energy contexts.
- Ott-ither Way: Funky and sample-heavy with groove that pulls you in. Intricate percussion without overwhelming the mix.
- Cloudburn: A progressive house entry in his catalogue, building gradually. The payoff is worth the patience.
- Frisk: A quick, punchy track that keeps energy high. Sometimes Feed Me just wants to make something that hits hard and fast.
Why 4D4M Vibes With Feed Me
Adam’s approach to electronic music shares Feed Me’s core principle: technical skill and creative vision aren’t mutually exclusive. Both pursue sound design that’s intentional and detailed. Neither falls into the trap of conflating loudness with impact. Feed Me’s willingness to work across genres mirrors the philosophy of respecting the music rather than the category. He doesn’t make “dubstep tracks” or “house tracks” he makes good tracks that happen to have elements from those genres. There’s also the collaborative spirit. Feed Me doesn’t hoard his talent. He puts himself into projects with other artists and brings out the best, which is why collaboration is one of the most underrated ways to grow.
Feed Me Discography
| Release Title | Year | Label | Type |
|---|---|---|---|
| Interscope Present: Feed Me | 2012 | Interscope Records | EP |
| Feed Me Presents Alteza | 2013 | Interscope Records | Compilation |
| High Street Dreams | 2014 | Various | Singles |
| Feed Me Remix Bundle Vol. 1 | 2014 | Bandcamp | Remixes |
| Phosphorescent | 2015 | Independent | EP |
| Feed Me Remix Bundle Vol. 2 | 2015 | Bandcamp | Remixes |
| Felt Volume | 2016 | Independent | Single |
| Pantheon II Collaboration | 2017 | Monstercat | Single |
| Feed Me Live Sessions | 2018 | Independent | Live |
| Reflections EP | 2019 | Independent | EP |
Feed Me Frequently Asked Questions
How did Feed Me start making music?
Feed Me’s journey into electronic music production began in the UK, where he was influenced by drum and bass, dubstep, and the evolution of bass music. Like many electronic producers, he started experimenting with production software and quickly developed a reputation for technical skill and meticulous attention to detail. His early releases on Interscope showed a maturity that few producers achieve early in their careers.
What equipment does Feed Me use for production?
Feed Me uses industry-standard DAWs and plugins, and he’s known for being adaptable rather than gear-dependent. The real magic is in his approach to sound design and arrangement rather than any particular piece of hardware. This reflects a mature perspective on production: technique and creativity matter more than expensive gear.
What’s the difference between Feed Me’s dubstep and electro house sound?
Feed Me’s dubstep work emphasizes complex layering and precise bass design, with heavier drops and aggressive sonic character. His electro house tracks prioritize groove, bright synth work, and dancing energy. Elements from both genres often appear in the same track, but the emphasis shifts based on what the track requires.
Has Feed Me produced under other names?
Yes. Feed Me is also known as Spor, a name he uses for drum and bass production, and Seventh Stitch for other experimental work. These aliases allow him to explore different sonic territories without confusing his core audience.
What labels has Feed Me released on?
Feed Me’s release history includes Interscope Records, Monstercat, and various independent platforms including his own Bandcamp. The diversity of his releases reflects both his prolific nature and his willingness to work across the spectrum from major labels to grassroots platforms.
How does Feed Me approach remixing?
When Feed Me remixes a track, his goal is to understand the original’s core essence and reimagine it through his production lens. His remixes of tracks like AWOLNATION’s “Sail” demonstrate this philosophy. He doesn’t strip everything down nor does he just add his signature bass. Instead, he finds balance where the remix is distinctly Feed Me while honoring the original.
What makes Feed Me stand out?
Feed Me’s combination of technical skill, genre flexibility, and refined aesthetic sets him apart. In an industry that often rewards shock value, Feed Me proves that restraint and precision can be just as powerful. His tracks have space, they breathe. His collaborations work because he listens. His willingness to evolve without compromising shows maturity.
Listen to Feed Me on Spotify
Follow Feed Me on SoundCloud
Feed Me Online
| Platform | Link |
|---|---|
| Spotify | Feed Me |
| SoundCloud | @feedme |
| Twitter/X | @feedme |
| @feedme | |
| Feed Me | |
| Bandcamp | Feed Me |
| Website | feedme.uk.com |
