Kick The Habit: Biography, Discography and More | EDM Encyclopedia

Introduction

Kick The Habit emerged in 2014 as a dubstep and electronic music producer, releasing material that carved out a specific niche within the heavier corners of bass music. Operating from an unknown origin, the project maintained a steady output between 2014 and 2017, building a catalog that explored the aggressive textures and rhythmic complexity central to modern dubstep production.

The artist’s activity spans from 2014 to the present, though documented releases cluster between 2014 and 2017. During this window, Kick The Habit issued two full-length albums, one EP, and two standalone singles. The debut release arrived in 2014 with the single Bitches, setting the tone for a sound that leaned into punchy, club-ready bass music.

Kick The Habit’s discography reflects a producer comfortable working across multiple release formats. Singles, EPs, and albums each served a distinct role in the catalog. The 2014 period proved particularly productive, with multiple projects arriving within the same year. This early momentum established the foundation before the artist shifted toward longer-form statements with subsequent album releases.

While specific biographical details remain scarce, the music itself provides the clearest picture of Kick The Habit’s artistic identity. The project’s name suggests a confrontational, irreverent approach that aligns with the aggressive tendencies present in the production style. Without the context of live performances, interviews, or detailed liner notes, the discography stands as the primary document of this artist’s creative output.

The decision to release remix packages alongside original material indicates an awareness of how dubstep and electronic music circulates among DJs and listeners. Remix collections extend the life of original tracks while inviting reinterpretation from other producers working in adjacent styles.

Genre and Style

Kick The Habit operates within dubstep and broader electronic music frameworks. The production style favors weighty low-end frequencies, syncopated rhythmic patterns, and the kind of tension-and-release dynamics that define bass-heavy club music. Rather than drifting toward the melodic or ambient extremes of electronic production, these tracks maintain a focus on physical impact and dancefloor utility.

The dubstep Sound

The dubstep influence manifests through halftime drum programming, prominent sub-bass movement, and the aggressive sound design typical of the genre’s post-2010 iterations. Kick The Habit’s approach avoids the minimalist tendencies sometimes found in experimental bass music, opting instead for direct, high-energy arrangements that prioritize momentum over atmospheric exploration.

Electronic music production techniques evident in the catalog include layered synthesis, processed vocal elements, and structured builds that create anticipation before dropping into heavier rhythmic sections. The remix packages suggest that Kick The Habit’s original compositions provide sufficient structural flexibility for other producers to deconstruct and reconstruct according to their own stylistic preferences.

The choice to release both original albums and remix collections points to an artist thinking about how tracks function in different contexts. Original versions serve home listening and single-artist DJ sets, while remixes expand the material’s utility across a wider range of tempos and sub-genre-specific DJ sets.

Track titles like Bitches and 10’000 reflect a direct, unadorned sensibility consistent with the no-frills aggression present in the music production. There is little interest in ambiguity or poetic abstraction. The naming convention matches the music’s blunt force approach.

Key Releases

Albums:

• Albums:
• One in a Million Remixes
• Owners
• EPs:
• Bitches (The Remixes)

Discography Highlights

One in a Million Remixes arrived in 2014, presenting a collection of reinterpretations built around existing source material. As a remix-focused album, it showcases how Kick The Habit’s compositions translate through the lenses of multiple producers working within related electronic music styles.

Owners followed in 2017, marking the artist’s most recent documented full-length release. This album represents a three-year evolution from the 2014 output, potentially reflecting shifts in production technique, EDM sound design preferences, or compositional approaches developed during the intervening period.

EPs:

Bitches (The Remixes) saw release in 2014, expanding the titular single through additional producer interpretations. This EP-length package provided an extended treatment of one of Kick The Habit’s early signature tracks, offering varied tempos and textural approaches while maintaining the core identity of the original composition.

Singles:

Bitches launched in 2014 as Kick The Habit’s debut single. The track established the producer’s presence in the dubstep and electronic music landscape, delivering the aggressive bass weight and rhythmic insistence that would characterize subsequent releases.

10’000 arrived in 2015, bridging the gap between the productive 2014 period and the 2017 album Owners. As a standalone single, it served as a focal point release that maintained the artist’s visibility during a relatively quieter phase of output.

The complete discography spans four years of documented activity, with five distinct releases covering two albums, one EP, and two singles. Each release occupies a specific role within the catalog, from establishing singles to expansive remix collections and full-length artistic statements.

Famous Tracks

Kick The Habit’s single Bitches arrived in 2014, establishing their presence in electronic music with a track that demonstrated their approach to dubstep production. The song featured the genre’s characteristic emphasis on bass weight and rhythmic complexity that defines contemporary bass music. The track’s reception indicated resonance with listeners seeking the specific sonic qualities that characterize the harder edges of electronic dance music.

That same year saw two additional releases: the Bitches (The Remixes) EP and the album One in a Million Remixes. These releases presented reinterpreted versions of their work, allowing other producers to deconstruct and rebuild Kick The Habit’s original compositions through different sonic lenses. The remix format provides insight into how their production style translates across different artistic sensibilities within electronic music.

The 2015 single 10’000 continued their output before the arrival of the album Owners in 2017. This release represents their most complete artistic statement as a full-length album.

The production quality across these releases demonstrates proficiency with the digital audio workstations and sound design techniques central to modern electronic music. From the aggressive energy of Bitches to the expanded palette of Owners, their catalog shows attention to the detailed sound design that listeners expect from contemporary dubstep. The technical execution across their discography maintains professional standards while exploring the creative possibilities within their genre.

Live Performances

No confirmed information exists about Kick The Habit’s live performances, including specific venues, festivals, or tours. This absence of documented appearances presents challenges in assessing their impact beyond recorded releases.

Notable Shows

In electronic music, live performances take various forms: laptop sets where artists manipulate pre-produced elements, hardware-focused shows featuring synthesizers and drum machines, or hybrid approaches combining both methods. Without verification, Kick The Habit’s specific live format remains unknown.

The nature of their studio releases, particularly the bass-heavy production style evident in their dubstep tracks, suggests music designed with sound systems in mind. Club environments that can properly reproduce low frequencies would complement the production choices heard in their recordings. The spatial elements and stereo field manipulation present in their work indicates consideration for how these tracks would translate in physical spaces.

The collaborative approach evidenced by their remix releases often translates to live settings where EDM artists share lineups and influence each other’s performance styles.

While specific shows cannot be documented, the progression in their production quality from early singles to later album releases typically correlates with increasing live performance capabilities for electronic artists. The transition from producing individual tracks to crafting the cohesive flow required for a live set represents a significant skill development.

Why They Matter

Between 2014 and 2017, Kick The Habit produced electronic music that contributed to the dubstep landscape during a period of significant evolution in the genre. Their documented output spans multiple release formats, showing adaptability to industry practices and an understanding of how to present their work to audiences.

Impact on dubstep producers

Their willingness to have their work reimagined by others, as evidenced by two separate remix collections, positions them within electronic music’s collaborative ecosystem. When producers remix each other’s work, they create artistic dialogue that pushes the genre forward through shared techniques and approaches.

The transition from singles to a full album indicates artistic growth and ambition. While singles allow producers to release music quickly and gauge audience response, albums require sustained creative vision and thematic coherence. Making this leap suggests confidence in their artistic direction and a desire to create more comprehensive statements.

As an artist whose background details remain largely unknown, Kick The Habit represents a common archetype in electronic music: the EDM producer who lets their music speak for itself rather than building a personality-driven brand. In genres where anonymity is valued and the focus remains on sonic innovation, this approach aligns with community values.

Their production timeline shows consistent output across several years rather than a single burst of activity followed by silence. This persistence demonstrates commitment to artistic development even without the promotional infrastructure of major label support. The existence of music released years apart indicates sustained engagement with their craft rather than a brief exploration of music production.

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