Who is Kill The Noise? Kill The Noise Songs, Music, Discography & Artists Like Kill The Noise
Kill The Noise is one of those names that tells you exactly what you’re getting before the first track plays. Jacob Stanczak, the American producer behind the moniker, has spent over two decades building a dubstep and electro house catalog that earns its aggression through craft. Adam landed on Kill The Noise during the height of the brostep wave and kept coming back long after that era faded. The productions hold up.
4D4M gravitates toward artists whose output reflects genuine creative investment, and Kill The Noise delivers that consistently. Working with Skrillex, Seven Lions, Feed Me, ILLENIUM, Korn, and Tom Morello across a career spanning clubs, arenas, and film studios takes a certain kind of range. Stanczak has it.
Who Is Kill The Noise
Kill The Noise is Jacob Stanczak, an American DJ and record producer from Rochester, New York, active in electronic music since 2003. His work spans dubstep, electro house, brostep, drumstep, drum and bass, and trap.
Industry attention arrived in 2011 when his EP Kill Kill Kill dropped via OWSLA. The lead track earned him MTV Clubland’s Video Pick of the Year. A year later, the BLVCK MVGIC EP won him the same distinction for “Black Magic (Kill the Noise Pt II).” Back-to-back MTV picks reflect a producer who understood exactly how to make a track land.
High-profile collaborations followed. In 2011, he produced tracks on Korn’s The Path of Totality, including “Narcissistic Cannibal,” and performed with the band on Jimmy Kimmel Live in 2012. In 2014, he appeared on the platinum-certified “Shell Shocked” from the Teenage Mutant Ninja Turtles soundtrack alongside Juicy J, Wiz Khalifa, and Ty Dolla $ign. That same year, “Recess” appeared on Skrillex’s debut album featuring Kill The Noise, Fatman Scoop, and Michael Angelakos, charting at number 57 on the UK Singles Chart.
His debut full-length Occult Classic arrived in 2015 through OWSLA, featuring AWOLNATION, Dillon Francis, and Tommy Trash. A remix album ALT CLASSIC followed in 2016 with contributions from REZZ, NGHTMRE, Snails, and Slander. He has since released EMBRACE in 2022 and Hollow World in 2023.
Kill The Noise’s Sound Explained
Calling Kill The Noise a “heavy dubstep producer” is accurate for part of the catalog, but it misses the actual craft. His productions sit at the intersection of aggressive sound design and real musicality. The bass movements register first: distorted, abrasive, engineered for physical impact. Underneath that aggression is real compositional thought. Chord progressions that build tension before the drop. Melodies that earn the heavy sections through contrast. Structural choices that feel intentional rather than formulaic.
The brostep era he emerged from has aged poorly for many practitioners, but Kill The Noise holds up because the aggression was never the whole point. “Horizon” with Seven Lions, Tritonal, and HALIENE sits firmly in melodic bass territory while hitting hard when needed. “Don’t Give Up on Me” with ILLENIUM and Mako carries emotional weight unrelated to sonic brutality. The electro house side of his catalog is punchy and festival-floor ready, with drops engineered for maximum impact. Not every track is a face-melter, and knowing that makes the face-melters work harder by contrast.
Top 15 Kill The Noise Tracks
1. I Do Coke (with Feed Me)
The lead single from Occult Classic: irreverent, heavy, and technically excellent with production precision that rewards repeated listens.
2. Another Level (with Feed Me, Flux Pavilion)
Three producers combining into something bigger than any single contributor could build alone.
3. Kill the Noise (Part I)
MTV Clubland’s Video Pick of the Year for 2011. The track that announced Stanczak as a serious force in bass music.
4. Black Magic (Kill the Noise Pt II)
Darker and more atmospheric than Part I, earning Kill The Noise a second consecutive MTV Clubland honor.
5. Horizon (with Seven Lions, Tritonal, HALIENE)
Written on the road during their 2017 North American tour, one of the most fully realized melodic bass records of that era.
6. Don’t Give up on Me (with ILLENIUM, Mako)
Emotionally substantial, built around a vocal that earns everything the production layers underneath it.
7. Right on Time (with Skrillex, 12th Planet)
Three major names in American bass music on one track. Predictable in quality, unpredictable in character.
8. Cold Hearted (with Seven Lions)
Released on Monstercat in 2017, keeping Stanczak’s production presence unmistakable while leaning melodic.
9. Far Away (with Feed Me)
A 2014 single that is urgent and propulsive, a strong example of what this creative partnership produces.
10. Shake the Ground (with SNAILS, Sullivan King, Jonah Kay)
A heavy lineup delivering exactly what it promises.
11. Spitfire (Kill The Noise Remix)
Porter Robinson’s original pulled into heavier territory while preserving everything that made the source material work.
12. NRG (Skrillex, Kill The Noise, Milo & Otis Remix)
A Duck Sauce remix that becomes controlled chaos. Absolutely works on a dance floor.
13. Song Of The Year (with Wooli)
Short and punchy, showing Kill The Noise’s ability to work across generational lines in bass music.
14. Freeway (Flux Pavilion and Kill the Noise Remix)
Both artists bring their instinct for massive drops, and the result is as relentless as that suggests.
15. Narcissistic Cannibal (with Korn)
The crossover collaboration that introduced Kill The Noise to a whole new audience. Rock DNA meets bass production instincts.
Why 4D4M Vibes With Kill The Noise
Collaboration has been central to Kill The Noise’s output since the beginning, not as a promotional strategy but as actual creative practice. The range of artists he has worked with, from Skrillex to Korn to ILLENIUM to Seven Lions to Tom Morello, tells you something important: he is a producer who brings out different things depending on the context. That flexibility separates artists worth following from those who peak in one era and coast.
The heavy bass side of his catalog connects directly with the harder end of what 4D4M plays. The textured, emotionally invested collaborative work elevated Kill The Noise from heavy DJ to genuinely interesting artist.
Kill The Noise Discography
| Year | Album | Label |
|---|---|---|
| 2011 | Kill Kill Kill (EP) | OWSLA |
| 2012 | BLVCK MVGIC (EP) | OWSLA |
| 2014 | Kill the Zo (with Mat Zo) | Mau5trap |
| 2015 | Occult Classic | OWSLA |
| 2016 | ALT CLASSIC (Remix Album) | OWSLA |
| 2017 | Cold Hearted (single, with Seven Lions) | Monstercat |
| 2018 | Horizon (single, with Seven Lions, Tritonal) | Ophelia |
| 2022 | EMBRACE | SLUGZ Music |
| 2023 | Hollow World | SLUGZ Music |
Kill The Noise Live and Touring
Kill The Noise has performed at Coachella, Electric Daisy Carnival, Lollapalooza, Ultra Music Festival, Creamfields, Bonnaroo, Electric Zoo, Electric Forest, Holy Ship, and Tomorrowland. He performed at Fuji Rock in 2016 and toured Australia in 2017. Headlining runs include the “Black Magic Mystical Wonder Tour” in 2013, the “Occult Classic Tour” in 2015, and the Horizon Tour in 2017 with Seven Lions and Tritonal. In 2018, he headlined the Bassrush stage at EDC with 12th Planet. At festivals, his sets pull from across the catalog and keep energy varied from first drop to last.
FAQ About Kill The Noise
What genre is Kill The Noise?
Kill The Noise primarily produces dubstep and electro house, with significant work in brostep, drumstep, drum and bass, and trap. His catalog spans festival bangers, heavy bass productions, melodic collaborations, and film scores. Calling him strictly a dubstep producer misses the range he has built since 2003.
Who is Kill The Noise?
Kill The Noise is Jacob Stanczak, an American DJ and record producer from Rochester, New York, active since 2003. He has released music through OWSLA, Monstercat, Mau5trap, Ophelia, and SLUGZ Music. He is known for collaborations with Skrillex, Seven Lions, Feed Me, ILLENIUM, and Korn, and major film soundtracks.
What is Kill The Noise’s most famous song?
“I Do Coke” with Feed Me became a festival staple after the 2015 Occult Classic release. “Horizon” with Seven Lions, Tritonal, and HALIENE is another widely recognized track. “Kill the Noise (Part I)” won MTV Clubland’s Video Pick of the Year in 2011. “Shell Shocked” from the TMNT soundtrack introduced his name to audiences outside electronic music.
Has Kill The Noise worked with Skrillex?
Yes. “Recess” from Skrillex’s debut album featured Kill The Noise, Fatman Scoop, and Michael Angelakos, and charted at number 57 on the UK Singles Chart. They also collaborated on “Right on Time” with 12th Planet. Stanczak released much of his early output through OWSLA, Skrillex’s label, deepening that creative connection.
Where is Kill The Noise from?
Kill The Noise is from Rochester, New York, active in the American electronic music scene since 2003. Rochester is not typically associated with the club scenes that produced many EDM artists, making Stanczak’s path from upstate New York to Coachella and Tomorrowland a notable one.
What albums has Kill The Noise released?
Three studio albums: Occult Classic in 2015, EMBRACE in 2022, and Hollow World in 2023. He also released EPs Kill Kill Kill and BLVCK MVGIC, the Kill the Zo project with Mat Zo, and ALT CLASSIC in 2016, a remix album with REZZ, NGHTMRE, Snails, and Slander.
Does Kill The Noise make film music?
Yes. He contributed to “Shell Shocked” from the 2014 TMNT film with Juicy J, Wiz Khalifa, and Ty Dolla $ign. In 2017, he wrote “Divebomb” featuring Tom Morello for XXX: Return of Xander Cage. In 2019, “Redemption” featuring Al Jourgensen appeared in the Netflix film In the Shadow of the Moon. Film scoring is a real part of his career.
Kill The Noise Online
| Platform | Link |
|---|---|
| Spotify | Listen on Spotify |
| SoundCloud | Kill The Noise on SoundCloud |
| Kill The Noise on Facebook | |
| @killthenoise | |
| YouTube | Kill The Noise on YouTube |
