Who is LOUDPVCK? LOUDPVCK Songs, Music, Discography & Artists Like LOUDPVCK
LOUDPVCK is a Los Angeles-based electronic trap project originally formed as a duo by Kenny Beats (Kenneth Blume) and Ryan Marks. Active from the early 2010s, they became one of the most recognizable names in the trap EDM crossover space, known for punishing bass lines, hip-hop influenced rhythms, and high-profile collaborations. 4D4M connects with their raw, uncompromising approach to electronic production for years. If you want to know why Adam keeps LOUDPVCK in regular rotation, read on.
Who Is LOUDPVCK?
LOUDPVCK formed in Los Angeles when Kenny Beats and Ryan Marks teamed up to make heavy-hitting electronic trap music. The project rose through the ranks of the festival circuit and the blog era of EDM, carving out a niche that sat right at the intersection of trap, hip-hop, and hard electronic music. Their sound was unapologetically aggressive from day one, and that attitude resonated with a crowd hungry for something with more edge than the mainstream festival fare.
The duo built a loyal following through relentless releases and live performances, becoming fixtures on the festival circuit and in the SoundCloud-era trap scene. They put out a steady stream of free downloads, remixes, and original tracks that spread virally before streaming was the dominant format. That scrappy, independent approach helped cement their reputation as authentic voices in the scene rather than label-manufactured products.
In November 2017, Ryan Marks departed from the project to pursue other creative endeavors. Kenny Beats, already building a parallel career as a hip-hop producer working with artists like Rico Nasty, Vince Staples, and a long list of major rap names, continued the LOUDPVCK project. The transition reflected where both artists were heading creatively. Kenny Beats went on to become one of the most sought-after hip-hop producers of his generation, while LOUDPVCK remained a vehicle for his harder electronic output.
The project is best known for collaborations with NGHTMRE on “Click Clack,” a collab with Zeds Dead called “Flies,” and a standout track featuring the late Nipsey Hussle called “Tony.” Each of those records shows a different facet of what LOUDPVCK brings, whether it is festival-ready club weapons or emotionally charged hip-hop hybrids. The discography spans EPs, singles, and remixes, including notable flips of tracks by Major Lazer and The Chainsmokers.
LOUDPVCK’s Sound Explained
LOUDPVCK’s sound is rooted in trap EDM, a genre that fuses the rolling hi-hats and 808 bass patterns of Southern hip-hop trap with the drop-driven structure and sound design of electronic dance music. The result is something that works equally well in a hip-hop club setting and a festival main stage context, which is exactly the kind of crossover that defines their catalog.
The production is dense and percussive. Kicks hit hard, snares crack loud, and the bass is always doing something interesting, whether it is a sub-heavy 808 crawl or a pitch-shifted melodic lead. LOUDPVCK understood early that trap EDM did not need to sacrifice musicality for aggression. Tracks like “Liar” and “Jumanji” have actual hooks and melodic ideas, not just drops and builds.
Their remix work is worth paying attention to. The remix of The Chainsmokers’ “Paris” turns a pop record into a trap workout without losing the emotional core of the original. The flip of Brillz and Minxx’s “Fuzzy Peach” is similarly transformative. That skill, taking someone else’s idea and running it through the LOUDPVCK filter, is a core part of their identity.
The collaborations with hip-hop artists also set them apart. Bringing in Nipsey Hussle, Reese LAFLARE, and others grounds the music in actual rap culture rather than just borrowing aesthetics. That authenticity is part of why the LOUDPVCK sound holds up even as the specific trends of trap EDM have evolved. The impact of bass in electronic music is something producers are always chasing, and LOUDPVCK nailed it early.
Top Tracks by LOUDPVCK
Liar (feat. KillaGraham)
“Liar” is one of LOUDPVCK’s most-streamed records and it is easy to hear why. The track builds tension through a haunting vocal hook before crashing into a trap-influenced drop that hits with real weight. KillaGraham’s contribution adds a melodic edge that keeps the track from being purely aggressive.
Paris (LOUDPVCK Remix)
The LOUDPVCK remix of The Chainsmokers’ “Paris” is a masterclass in how to flip a pop record without killing what made it work. The remix keeps the emotional tone of the original while injecting serious trap energy into the drop. It became one of their most recognizable pieces of work and introduced them to a broader pop-crossover audience.
Tony (feat. Nipsey Hussle)
“Tony” is genuinely one of the most emotionally resonant records in the LOUDPVCK catalog. Featuring Nipsey Hussle alongside Gladiator, the track has a different feel from the club-oriented material. The late Nipsey Hussle brings real narrative weight to the track and the production matches that energy without trying to overshadow it.
Click Clack (with NGHTMRE)
The collab with NGHTMRE is pure festival ammunition. “Click Clack” is aggressive, well-constructed, and designed to work in a crowd context. Both producers were at a creative peak when this came out, and the record captures that competitive energy between two serious artists pushing each other.
Jumanji (feat. Reese LAFLARE)
“Jumanji” leans harder into the hip-hop side of the LOUDPVCK sound. Reese LAFLARE brings actual rap credibility to the track and the production is built to accommodate that, giving the verses room to breathe before the drop hits. This is trap EDM done with real respect for both genres.
Fuzzy Peach (LOUDPVCK Remix)
This remix of the Brillz and Minxx original is one of the best examples of LOUDPVCK’s remix approach. They take the original’s energy and multiply it, adding layers of bass and percussion without making it feel cluttered. The result is a track that is harder than the original but still clearly in conversation with it.
Flies (with Zeds Dead)
The Zeds Dead collab “Flies” is a natural pairing. Both acts operate in heavy bass territory and the combination of Zeds Dead’s darker, more melodic approach with LOUDPVCK’s trap sensibility creates something genuinely distinct from either artist’s solo work. Worth a deep listen.
More Than I Can Take (feat. Rickyxsan and Karra)
“More Than I Can Take” shows a more melodic, emotionally open side of LOUDPVCK. The vocal features from Rickyxsan and Karra give the track real warmth, and the production is built around that rather than fighting against it. It is one of the most accessible records in their catalog.
Jump Ya Body (LOUDPVCK Remix)
The remix of Kill The Noise’s “Jump Ya Body” is straight-up crowd work. LOUDPVCK’s version is tighter, trap-influenced, and built for peak set placement. If you want to understand how they approach remix work at its most functional, this one is a good starting point.
Bones (feat. Michael Sparks)
“Bones” is one of the darker entries in the catalog. The production is atmospheric and the feature from Michael Sparks adds a soulful contrast to the harder elements. It shows LOUDPVCK’s range and their ability to create mood and texture rather than just energy.
Why 4D4M Vibes With LOUDPVCK
The reason LOUDPVCK gets regular play in 4D4M’s sets and listening sessions comes down to authenticity and craft. A lot of producers in the trap EDM space were chasing trends. LOUDPVCK seemed genuinely invested in the music they were making. You can hear the hip-hop DNA in the way the drums are programmed and in the choice of collaborators. These are not randomly selected rap features for clout. Nipsey Hussle, Reese LAFLARE, these are choices that reflect a real relationship with hip-hop culture.
The production quality is also consistently high. Even the older releases hold up because the fundamentals are solid. Good drum programming, interesting bass design, hooks that actually work. That is not easy to pull off in a genre where a lot of producers were going for pure shock value over craft.
From a DJ perspective, LOUDPVCK records are genuinely useful. “Click Clack” can open or close a set. “Paris” can work as a crossover moment. “Tony” can give a crowd an emotional beat before the next energy push. That flexibility is something you earn with range, and LOUDPVCK has it.
There is also something to be said for the trajectory of Kenny Beats as a producer. Watching someone build the LOUDPVCK project and then simultaneously become one of the top hip-hop producers working today is inspiring from a craft perspective. It shows what is possible when you treat production as a serious skill rather than just a genre exercise. That dedication to the work is something 4D4M connects with as an artist trying to build something real.
The influence of EDM on popular music runs in multiple directions, and LOUDPVCK is a good example of a project that took hip-hop’s rhythmic sensibility and fed it back into electronic music in a way that enriched both genres. That cross-pollination is exciting and LOUDPVCK did it well.
LOUDPVCK Discography
| Release | Year | Notes |
|---|---|---|
| Botany EP | 2013 | Early EP featuring “Switch Hitta” and “Buena” ft. Travis Barker |
| Amen EP | 2014 | Heavy trap EP expanding their festival sound |
| Fly EP | 2015 | Collaborative project, features Zeds Dead collab “Flies” |
| Jumanji | 2016 | Single ft. Reese LAFLARE |
| Click Clack | 2016 | Collab single with NGHTMRE |
| Tony | 2017 | Single ft. Nipsey Hussle and Gladiator |
| Liar | 2018 | Single ft. KillaGraham, one of their top streaming tracks |
| More Than I Can Take | 2018 | Single ft. Rickyxsan and Karra |
| Bones | 2019 | Single ft. Michael Sparks |
| Gone | 2020 | Solo single continuing the LOUDPVCK project |
| Nagano | 2021 | Single, darker atmospheric direction |
| Traffic | 2022 | Single |
| Pace | 2023 | Single, continued solo output |
Live and Touring
LOUDPVCK built a significant live reputation over their years as a duo. Festival appearances across North America put them in front of crowds that spanned the trap and electronic music fanbase, and they consistently delivered. The energy in the LOUDPVCK catalog translates directly to a live setting. These are tracks built for crowd response, and performing them for a festival audience is what they were designed for.
The LA roots of the project gave them a strong home base in one of the most competitive electronic music cities in the world. Playing and building a following in LA is legitimately hard and the fact that they managed to do it while also touring nationally says something about their draw.
After Ryan Marks’ departure in 2017, live performances under the LOUDPVCK name continued with Kenny Beats at the helm. The transition was managed without a major drop in output or quality, which reflects well on how the project was structured from the start. For anyone curious about how festival bookings work for electronic artists, LOUDPVCK’s trajectory is a useful case study in building a reputation through consistent live performance.
FAQ
Who is LOUDPVCK?
LOUDPVCK is a Los Angeles-based electronic trap project originally formed as a duo by Kenny Beats (Kenneth Blume) and Ryan Marks. They became known for their heavy, hip-hop influenced approach to electronic music, releasing original tracks and remixes throughout the 2010s. Ryan Marks left the project in November 2017, and Kenny Beats has continued releasing music under the LOUDPVCK name while also building a major career as a hip-hop producer.
What genre is LOUDPVCK?
LOUDPVCK operates primarily in electronic trap, a genre that merges the drum patterns and bass elements of Southern hip-hop trap with the drop-driven structure of electronic dance music. Their catalog also touches on hip-hop, bass music, and elements of dubstep. The crossover appeal of their sound is part of what made them stand out during the peak of the SoundCloud and festival EDM era, and their work continues to influence producers working in bass-heavy electronic music.
What are LOUDPVCK’s most popular tracks?
LOUDPVCK’s most streamed and widely recognized tracks include “Liar” featuring KillaGraham, their remix of The Chainsmokers’ “Paris,” the NGHTMRE collab “Click Clack,” “Tony” featuring Nipsey Hussle, and “Jumanji” featuring Reese LAFLARE. Their collaborative work with Zeds Dead on “Flies” and their remix of Brillz and Minxx’s “Fuzzy Peach” are also fan favorites and have remained consistent performers in their streaming catalog.
Is LOUDPVCK still active?
LOUDPVCK remains active as a project under Kenny Beats following Ryan Marks’ departure in 2017. Kenny Beats has continued releasing music under the LOUDPVCK name while simultaneously building one of the most impressive careers in hip-hop production. New singles have continued to appear through the early 2020s. The project does not release at the same pace it did during the duo era, but LOUDPVCK is not retired and new music continues to surface.
Who is Kenny Beats?
Kenny Beats, born Kenneth Blume, is one half of the original LOUDPVCK duo and the creative force behind the project since Ryan Marks’ departure. Beyond LOUDPVCK, Kenny Beats became one of the most in-demand hip-hop producers of his generation, known for working with Rico Nasty, Vince Staples, Denzel Curry, and many others. He also hosted the popular YouTube series “The Cave” which gave fans a behind-the-scenes look at his production process. His dual career spans both electronic and hip-hop production at a high level.
What artists are similar to LOUDPVCK?
Artists with a similar energy and aesthetic to LOUDPVCK include NGHTMRE, Zeds Dead, Brillz, Kill The Noise, Borgore, Dillon Francis, and RL Grime. These producers share the trap EDM sensibility and some have collaborated directly with LOUDPVCK. If you enjoy the hip-hop crossover element, producers like Flosstradamus and RL Grime are natural comparisons. The broader bass music scene also has significant overlap with what LOUDPVCK was doing at their peak.
Where is LOUDPVCK from?
LOUDPVCK is from Los Angeles, California. The LA connection is significant because it placed them within one of the most competitive and creatively rich electronic music scenes in the United States. The city’s blend of hip-hop culture and electronic music scene is reflected in the LOUDPVCK sound, which draws from both worlds. Los Angeles has been a home base for the project throughout its history and Kenny Beats continues to be based there as he works across both the LOUDPVCK project and his hip-hop production career.
Listen to LOUDPVCK
LOUDPVCK Online
| Platform | Link |
|---|---|
| Spotify | LOUDPVCK on Spotify |
| SoundCloud | LOUDPVCK on SoundCloud |
| @loudpvck on Instagram | |
| Twitter/X | @LOUDPVCK on X |
| LOUDPVCK on Facebook | |
| YouTube | LOUDPVCK on YouTube |
