My Nu Leng: Biography, Discography and More | EDM Encyclopedia

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Introduction

My Nu Leng emerged from the British electronic music scene in 2011 as producers working within breakbeat and bass-heavy club music. Active from that year through to at least 2017, the project has maintained a steady release schedule encompassing five EPs and one full-length mix album across a concentrated recording period.

A significant portion of their catalog has been released through More Than Alot (MTA) Records, an independent label founded by Chase & Status in 2009. MTA specialises in what it terms “exceptional” music, covering a broad spectrum that includes rap, soul, drum and bass, dubstep, and deep house. The label has played a pivotal role in the careers of Nero, Redlight, 16bit, and Ben Pearce, with many of its releases charting in the United Kingdom.

Placement on the MTA roster positioned My Nu Leng within a network of producers operating across multiple bass music disciplines. The label’s demonstrated history of supporting artists from underground releases into charting territory provided a platform for their productions to reach audiences beyond immediate club circles. This relationship with a well-connected independent label gave them access to distribution channels and promotional infrastructure that self-released artists often lack.

Their body of work has remained instrumental and club-focused throughout, consistent with MTA’s broader emphasis on dancefloor-orientated music. This has allowed them to move fluidly between adjacent styles of UK bass music without being tied to a single genre designation or conventional song format. The absence of vocal-led tracks or radio edits across their confirmed releases underscores a commitment to music designed primarily for DJ sets and sound systems.

Inclusion in the FabricLive mix series placed them alongside numerous other UK electronic acts who have contributed to the long-running series, reflecting their standing within the British club music community. Fabric, based in London, has documented the selections of key figures in dance music through its mix series, and their contribution to this catalog served as a marker of recognition within that world.

Genre and Style

My Nu Leng operate primarily at the intersection of breakbeat and bass music, drawing from multiple strands of UK club culture. Their productions combine the sub-bass pressure associated with dubstep and drum and bass with the syncopated, broken rhythms of breakbeat, resulting in tracks constructed for sound system contexts rather than home listening or radio play.

The breakbeat Sound

Rather than locking into a single tempo range, their work shifts between half-time grooves and faster percussive patterns, sometimes within the same arrangement. This rhythmic flexibility creates a sense of unpredictability suited to DJ sets, allowing them to bridge gaps between different club environments and slot their tracks into varied set contexts.

Production-wise, their EDM sound is characterised by deep low-end frequencies, tightly chopped drum programming, and a generally sparse approach to melody. When melodic elements do appear, they tend to function as atmospheric texture rather than the focal point of a track. Synthesiser pads and stabs are used to create tension and release, but they remain subordinate to the rhythmic framework. Vocals, where present, are typically limited to short samples or processed snippets woven into the percussive structure rather than conventional sung performances.

This emphasis on physical impact over traditional song structure places them within a specific lineage of UK EDM producers who prioritise the sound system experience. Their tracks are constructed around the relationship between kick drums, sub-bass, and percussive detail, with each element carved to occupy its own frequency range. The low end is mixed prominently, demanding playback on systems capable of reproducing sub-bass frequencies adequately.

Their association with MTA Records contextualises their approach further: the label’s catalog spans drum and bass, dubstep, and deep house, and My Nu Leng’s output reflects this breadth. Their willingness to pull from multiple subgenres without committing to a single template has kept their sound difficult to categorise neatly. In a scene that values versatility behind the decks, this refusal to be pinned down has worked to their advantage, allowing their tracks to find homes in the sets of DJs working across several related styles.

Key Releases

My Nu Leng’s confirmed discography spans six years, comprising five EPs and one full-length album. All confirmed releases fall within the first portion of their documented active period.

  • Fireflies EP
  • Damp EP
  • Elite
  • Contact EP
  • Masterplan

Discography Highlights

Their first confirmed release, the Fireflies EP, arrived in 2011. This debut established their production approach and brought them to the attention of MTA Records, setting the groundwork for their subsequent relationship with the label. As a first statement, it outlined the heavy bass-heavy, rhythmically intricate framework they would continue to refine across later records.

In 2012, they followed up with the Damp EP, continuing to develop the sound introduced on their debut. The record demonstrated a deepening of their production vocabulary, with more complex rhythmic arrangements and a broader textural range.

2013 proved to be a productive year, yielding two separate releases: Elite and the Contact EP. Both records showed increasingly polished production values, with a clearer articulation of the breakbeat-informed style that would come to define their catalog. Releasing two EPs within a single year suggested a period of intense studio activity and creative momentum.

The Masterplan EP arrived in 2014, marking their final confirmed EP release to date. This record consolidated their position within the UK bass music landscape, building on the rhythmic and textural approaches explored across their earlier work while pushing their sound into more focused territory.

Their sole confirmed album is FabricLive 86: My Nu Leng, released in 2016 as part of Fabric’s long-running mix series. This contribution placed them within a lineage of UK club DJs and producers who have documented their selections for the series. The mix provided a platform to showcase the breadth of music informing their DJ sets, reflecting influences from across the bass music spectrum they inhabit. Fabric’s mix series has served as a document of club culture for over two decades, and this installment captured My Nu Leng’s perspective as selectors operating within the UK scene at that particular moment.

No further confirmed EP or album releases have been documented beyond that year, though the project’s active period extends to at least 2017 based on available release data. Their confirmed catalog remains concentrated within a five-year window of consistent output.

Famous Tracks

My Nu Leng built their reputation through a steady stream of releases that showcased their particular approach to UK bass music. The Fireflies EP (2011) marked one of their earliest significant releases, introducing their sound to clubs and radio. The Damp EP (2012) followed, refining the production style that would define their output.

2013 proved productive for the duo. The Elite EP (2013) and Contact EP (2013) both arrived that year, demonstrating the range within their tempo and groove choices. These releases caught the attention of DJs across the UK circuit and cemented their voice within the breakbeat scene.

The Masterplan EP (2014) pushed their profile further, earning support from key figures in the bass music community. These EP releases consistently appeared in sets from DJs operating in the intersection of house, garage, and breaks.

Their contribution to the FabricLive series, FabricLive 86: My Nu Leng (2016), stands as a significant release. The FabricLive mix CDs serve as a benchmark for DJs working in electronic music, placing My Nu Leng in the company of established artists who have mixed for the series.

Live Performances

My Nu Leng built their name primarily through club performances rather than festival headline slots. Their DJ sets focus on mixing breakbeat, garage, and bass-heavy house, tailored to the dancefloor rather than passive listening. This approach aligns with the UK club tradition where the DJ responds to the room and adjusts the selection accordingly.

Notable Shows

The invitation to mix FabricLive 86: My Nu Leng (2016) reflects their standing as a live act. Fabric, the London club, selects DJs for its mix series based on their ability to represent a specific sound or scene. My Nu Leng’s inclusion indicates their association with a particular strand of UK bass music that emerged in the early 2010s.

Their sets draw from the same palette as their recorded output: tough drum patterns, low-end pressure, and references to multiple eras of UK dance music. This crossover approach allows them to fit into lineups spanning genres without sounding out of place.

Why They Matter

My Nu Leng emerged during a period when UK bass music was fracturing into distinct subgenres. Rather than committing to a single template, their releases on labels like More Than Alot (MTA) Records positioned them between categories. MTA, founded by Chase & Status in 2009, has released music from artists including Nero, Redlight, and Ben Pearce, specialising in what the label describes as “exceptional” music across rap, soul, drum and bass, dubstep, and deep house.

Impact on breakbeat

The duo’s releases from Fireflies EP (2011) through to FabricLive 86: My Nu Leng (2016) coincide with a period where breakbeat re-emerged alongside house and garage influences in UK clubs. Their output provides a reference point for how these genres can intersect without diluting any single element.

Their FabricLive mix serves as a document of a specific moment in UK club music. Mix series like FabricLive capture a DJ’s approach at a fixed point, and My Nu Leng’s contribution sits alongside other artists who defined that era’s sound. For listeners tracking the evolution of UK bass music beyond simple genre labels, My Nu Leng’s catalogue offers a clear thread through the early 2010s landscape.

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