Vini Vici: Biography, Discography and More | EDM Encyclopedia

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Introduction

Vini Vici is an Israeli psytrance DJ duo originating from Afula, a city in the Northern District of Israel. The project represents over two decades of collaboration between producers Matan Kadosh and Aviram Saharai, who first joined forces in 2001 under the name Sesto Sento. That original trio included a third member, Itai Spector, who remained with the group until his departure in 2011.

Spector’s exit, Kadosh and Saharai chose to reinvent their musical identity rather than continue under the established Sesto Sento banner. In 2013, they officially launched the Vini Vici project, shifting their creative direction while drawing on years of production experience. The transition marked a clear turning point: Sesto Sento had built a reputation in the global psytrance community, and the new moniker allowed the duo to explore a refreshed sound with a distinct brand.

Active from 2011 through to the present day, with their latest activity recorded in 2025, Vini Vici has maintained a consistent presence in the electronic music circuit. Their longevity stems from a deep familiarity with trance dynamics, honed across thousands of hours of studio work and live performances. The duo’s base in Israel places them at the heart of one of the world’s most active psytrance scenes, a factor that has shaped their production aesthetic and connected them to a global network of artists and labels.

Genre and Style

Vini Vici operates squarely within the psytrance spectrum, a subgenre of electronic dance music characterized by driving basslines, layered synth work, and tempos generally ranging between 138 and 145 BPM. Their approach leans toward the progressive and full-on ends of the psytrance spectrum, prioritizing melodic tension and rhythmic momentum over the abrasive textures found in darker substyles.

The psytrance Sound

Kadosh and Saharai construct tracks around tight, rolling bass patterns that anchor swirling arpeggios and atmospheric pads. Their mixes favor clarity: each percussive element and synth line occupies a defined frequency range, giving the overall production a polished, club-ready feel. This precision reflects their years of experience in the studio, dating back to their Sesto Sento era.

A distinguishing feature of Vini Vici’s style is their integration of ethnic and Middle Eastern musical motifs into a modern electronic framework. They frequently incorporate vocal samples, acoustic instrument snippets, and modal scales that reference their Israeli background, weaving these elements into the hypnotic loops and buildups central to psytrance. The result sits at a crossroads between dancefloor functionality and cultural texture, appealing to both festival crowds and dedicated trance listeners.

Their DJ sets mirror their production ethos: extended, seamlessly mixed journeys that balance peak-time energy with moments of melodic introspection. Rather than relying on abrupt drops or gimmicks, Vini Vici builds intensity gradually, sustaining tension across longer arcs.

Key Releases

The confirmed discography available for this project is limited in scope, though it captures key points across the duo’s career timeline. Their first confirmed release dates to 2011, aligning with the period immediately before Spector’s departure from the Sesto Sento lineup. Their most recent confirmed activity extends into 2025, indicating continued output across a fourteen-year span.

  • Albums:
  • True
  • Stories
  • TIM
  • Compilations and Collections:

Discography Highlights

The titles constitute the full set of confirmed releases associated with this artist profile:

albums: True (2013), Stories (2015), TIM (2019).

Compilations and Collections: The Singles (2011), Avicii et al: Swedish House Collection : Taken from Superstar (2011).

Note: The compilation titles listed above are included here in strict accordance with the provided discography data. Readers should be aware that several of these titles overlap with well-known releases by other artists in the electronic music space. Cross-referencing with additional authoritative sources is recommended for full clarity on catalog attribution.

What remains verifiable is the structural timeline: Kadosh and Saharai began releasing music under the Sesto Sento name in the early 2000s, rebranded as Vini Vici in 2013, and have sustained activity through 2025. Their catalog spans studio albums, singles, and compilation appearances, distributed across various psytrance and electronic music labels.

Famous Tracks

Vini Vici, the Israeli psytrance duo from Afula, emerged from an earlier project with deeper roots in the electronic music scene. Producers Matan Kadosh and Aviram Saharai originally formed the group in 2001 under the name Sesto Sento, alongside Itai Spector. That trio spent a decade releasing material and performing before Spector departed in 2011.

Two years later, in 2013, Kadosh and Saharai rebranded themselves as Vini Vici. The name change marked a deliberate shift in artistic direction: the duo moved toward a harder, more driving interpretation of psytrance designed for large festival djs stages rather than intimate club settings. Their approach layers rolling basslines with acidic synthesizer hooks and vocal samples drawn from across the electronic spectrum.

While specific track names remain unconfirmed for this piece, the duo’s catalog spans numerous singles, remixes, and collaborative releases with other psytrance producers. Their output has appeared on prominent trance and psytrance labels, earning consistent support from DJs across the electronic music circuit.

Live Performances

Vini Vici’s reputation was built primarily through live performances rather than studio recordings. The duo secured slots at major electronic music festivals including Tomorrowland, Ultra Music Festival, and Boom Festival, exposing their sound to audiences far beyond the traditional psytrance circuit.

Notable Shows

Their DJ sets are characterized by high energy pacing and prolonged buildups that stretch tension across several minutes before dropping into dense, textured basslines. This approach translates better to open-air festival stages with massive sound systems than to smaller indoor venues, which aligns with their career trajectory toward larger events throughout the 2010s.

The transition from Sesto Sento to Vini Vici also reflected a change in performance context. Where Sesto Sento operated within the tighter knit global psytrance community, Vini Vici positioned themselves at the intersection of mainstream electronic festivals and the underground psytrance scene. This dual identity allowed them to perform alongside both commercial EDM acts and dedicated psytrance artists, a relatively uncommon crossover strategy that expanded their audience significantly.

Why They Matter

Vini Vici occupies a specific and notable position in electronic music: they served as a bridge between the underground psytrance scene and the mainstream festival circuit during the mid to late 2010s. Few psytrance acts achieved comparable visibility at large scale commercial events during this period.

Impact on psytrance

Their origin story adds context to this achievement. Kadosh and Saharai spent over a decade as Sesto Sento before pivoting to the Vini Vici project in 2013. That extensive background in psytrance production and performance gave them technical skill and scene credibility that newer acts lacked. When they began appearing on larger festival dj lineups, they brought genuine genre expertise rather than a surface level interpretation of psytrance aesthetics.

The duo’s two member format, established after Spector’s departure in 2011, also reflects a broader trend in electronic music production toward streamlined production teams. Operating as a duo allowed Kadosh and Saharai to maintain creative consistency while managing the demanding tour schedule that international festival appearances require.

Their Afula origin is worth noting: Israel maintains one of the world’s most active psytrance communities, and vini vici‘s emergence from that regional scene into global visibility reflects the genre’s geographic expansion beyond its origins in Goa, India during the 1990s.

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